With the increasing use of the Internet several problems have arisen regarding the processing of electronic documents. These include content filtering, content retrieval/search. Moreover, document security has taken a centre stage including copyright protection, broadcast monitoring etc. There is an acute need of an effective tool which can find the identity, location and the time when the document was created so that it can be determined whether or not the contents of the document were tampered with after creation. Owing the sensitivity of the large amounts of data which is processed on a daily basis, verifying the authenticity and integrity of a document is more important now than it ever was. Unsurprisingly document authenticity verification has become the centre of attention in the world of research. Consequently, this research is concerned with creating a tool which deals with the above problem. This research proposes the use of a Quick Response Code as a message carrier for Text Key-print. The Text Key-print is a novel method which employs the basic element of the language (i.e. Characters of the alphabet) in order to achieve authenticity of electronic documents through the transformation of its physical structure into a logical structured relationship. The resultant dimensional matrix is then converted into a binary stream and encapsulated with a serial number or URL inside a Quick response Code (QR code) to form a digital fingerprint mark. For hiding a QR code, two image steganography techniques were developed based upon the spatial and the transform domains. In the spatial domain, three methods were proposed and implemented based on the least significant bit insertion technique and the use of pseudorandom number generator to scatter the message into a set of arbitrary pixels. These methods utilise the three colour channels in the images based on the RGB model based in order to embed one, two or three bits per the eight bit channel which results in three different hiding capacities. The second technique is an adaptive approach in transforming domain where a threshold value is calculated under a predefined location for embedding in order to identify the embedding strength of the embedding technique. The quality of the generated stego images was evaluated using both objective (PSNR) and Subjective (DSCQS) methods to ensure the reliability of our proposed methods. The experimental results revealed that PSNR is not a strong indicator of the perceived stego image quality, but not a bad interpreter also of the actual quality of stego images. Since the visual difference between the cover and the stego image must be absolutely imperceptible to the human visual system, it was logically convenient to ask human observers with different qualifications and experience in the field of image processing to evaluate the perceived quality of the cover and the stego image. Thus, the subjective responses were analysed using statistical measurements to describe the distribution of the scores given by the assessors. Thus, the proposed scheme presents an alternative approach to protect digital documents rather than the traditional techniques of digital signature and watermarking.

Halftones are reproductions of images created through the process of halftoning. The goal of halftones is to create a replica of an image which, at a distance, looks nearly identical to the original. Several different methods for producing these halftones are available, three of which are error diffusion, DBS and IMCDP. To check whether a halftone would be perceived as of high quality there are two options: Subjective image quality assessments (IQA’s) and objective image quality (IQ) measurements. As subjective IQA’s often take too much time and resources, objective IQ measurements are preferred. But as there is no standard for which metric should be used when working with halftones, this brings the question of which one to use. For this project both online and on-location subjective testing was performed where observers were tasked with ranking halftoned images based on perceived image quality, the images themselves being chosen specifically to show a wide range of characteristics such as brightness and level of detail. The results of these tests were compiled and then compared to that of eight different objective metrics, the list of which is the following: MSE, PSNR, S-CIELAB, SSIM, BlurMetric, BRISQUE, NIQE and PIQE. The subjective and objective results were compared using Z-scores and showed that SSIM and NIQE were the objective metrics which most closely resembled the subjective results. The online and on-location subjective tests differed greatly for dark colour halftones and colour halftones containing smooth transitions, with a smaller variation for the other categories chosen. What did not change was the clear preference for DBS by both the observers and the objective IQ metrics, making it the better of the three methods tested. / <p>Examensarbetet är utfört vid Institutionen för teknik och naturvetenskap (ITN) vid Tekniska fakulteten, Linköpings universitet</p>

<p>This study is a thesis for the Master of Science degree in Media Technology and Engineering at the Department of Science and Technology, Linkoping University. It was accomplished from November 2002 to May 2003. </p><p>Objective image quality measures play an important role in various image processing applications. In this paper quality measures applied on halftoned images are aimed to be in focus. Digital halftoning is the process of generating a pattern of binary pixels that create the illusion of a continuous- tone image. Algorithms built on this technique produce results of very different quality and characteristics. To evaluate and improve their performance, it is important to have robust and reliable image quality measures. This literature survey is to give a general description in digital halftoning and halftone image quality methods.</p>

This study is a thesis for the Master of Science degree in Media Technology and Engineering at the Department of Science and Technology, Linkoping University. It was accomplished from November 2002 to May 2003. Objective image quality measures play an important role in various image processing applications. In this paper quality measures applied on halftoned images are aimed to be in focus. Digital halftoning is the process of generating a pattern of binary pixels that create the illusion of a continuous- tone image. Algorithms built on this technique produce results of very different quality and characteristics. To evaluate and improve their performance, it is important to have robust and reliable image quality measures. This literature survey is to give a general description in digital halftoning and halftone image quality methods.