Spelling suggestions: "subject:"sublime, 4he, inn art."" "subject:"sublime, 4he, iin art.""
1 |
The experiential Sublime perception, conception, and emotion in Mark Rothko's classic color-field paintings /Bromberger, Bianca. January 2008 (has links)
Thesis (B.A.)--Bryn Mawr College. Dept. of History of Art, 2008. / Includes bibliographical references.
|
2 |
Rhetoric and redress Edward Hopper's adaptation of the American sublime /Crouch, Rachael M. January 2007 (has links)
Thesis (M.A.)--Ohio University, August, 2007. / Title from PDF t.p. Includes bibliographical references.
|
3 |
Light as surface and intensity /Edmonds, Anne B. January 2003 (has links)
Thesis (Ph.D.) -- University of Western Sydney, 2003. / "Doctor of Philosophy, Visual and Contemporary Arts, University of Western Sydney" Supervisor, Graham Marchant; co-supervisor, Phillip Kent. Bibliography : leaves 214-221.
|
4 |
The sublime and the synthetic riparian art and industrialization /Turner, Bradley T. Bratton, Susan P. January 2008 (has links)
Thesis (M.E.S.)--Baylor University, 2008. / Includes bibliographical references (p. 52-57)
|
5 |
Going beyond illustration of the Lovecraft novel at the mountains of madnessVanderlinden, Cedric January 2013 (has links)
The research examines the relationship between the Sublime, the written works of H. P. Lovecraft, and the researcher’s production in the studio arts. It analyses how the Sublime is approached as a subject matter and principal objective within philosophical and artistic discourses, historically and within a contemporary paradigm. It also investigates the applicability of the Sublime to selected themes uncovered in H. P. Lovecraft’s work in general, and At the Mountains of Madness in particular. This is undertaken through an investigation of primary and secondary sources whose explorations and contextualization informs and supports the researcher’s practical visual studies. A reflective and critical analysis of this studio work is performed and included in the main body of the dissertation, from which a conclusion is drawn about the effectiveness of this approach. Specifically, the research explores the relevance of the Sublime both as a critical component of contemporary fine arts and as a fundamental element of the work of H. P. Lovecraft, At the Mountains of Madness in particular. In addition, the research’s practical component consists of a visual exploration of the intersection between the two. Furthermore, it represents an evaluation of this overlap in its effective translation across modes of expression, as interpreted through the medium of the researcher’s creative process.
|
6 |
Evergreen : [thesis] submitted in partial fulfillment of the requirements of the degree of Masters [Ie Master] of Fine Arts at Otago Polytechnic School of Art, Dunedin, New Zealand /Muirhead, Anna, January 2008 (has links)
Thesis (M.F.A.)--Otago Polytechnic, 2008. Includes bibliographical references. / Thesis typescript. Supervisors: Adrian Hall, Michele Beevors. Otago Polytechnic department: School of Art. "October 2008." Accompanied by a website of the exhibition of the author's artistic.
|
7 |
The Sublime and the Beautiful in the Works of Claude-Joseph VernetHoward, Jane 05 1900 (has links)
This thesis examines the roles of the sublime and the beautiful in the works of eighteenth-century French landscape painter Claude-Joseph Vernet. An introduction to the study, a history of the sublime and beautiful, and an overview of the way these ideas are portrayed in Vernet's calm and storm pendants are provided. How commissions for these pendants relate to theoretical developments of the sublime and beautiful and how Vernet became aware of the these ideas are addressed. The thesis shows Vernet was not dependent on British patrons or on the century's most influential aesthetic treatise on the sublime and the beautiful by Edmund Burke, because Vernet started painting such themes well before Burke's treatise (1757) and did so in response to French patrons.
|
Page generated in 0.0576 seconds