Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-01-16T19:25:31Z No. of bitstreams: 1 MarlonBarrosDeLima_DISSERT.pdf: 3375312 bytes, checksum: 2aab036eb30debd13696eb8e2bc26ed2 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-01-22T13:59:47Z (GMT) No. of bitstreams: 1 MarlonBarrosDeLima_DISSERT.pdf: 3375312 bytes, checksum: 2aab036eb30debd13696eb8e2bc26ed2 (MD5) / Made available in DSpace on 2018-01-22T13:59:47Z (GMT). No. of bitstreams: 1 MarlonBarrosDeLima_DISSERT.pdf: 3375312 bytes, checksum: 2aab036eb30debd13696eb8e2bc26ed2 (MD5) Previous issue date: 2017-12-04 / O presente Trabalho aborda quest?es interpretativas a respeito de 3 obras para trombone solista do Maestro Duda, com o objetivo de sugerir subs?dios que auxiliem no desenvolvimento dos procedimentos de prepara??o e execu??o das pe?as. As obras aqui estudadas s?o: Duas Dan?as (Gizelle e Marquinhos no Frevo), Fantasia para Trompete e Trombone, e Su?te Monette. Dentre as principais caracter?sticas dos trabalhos composicionais do Maestro Duda, podemos destacar a utiliza??o de g?neros musicais da cultura brasileira, por?m, poucos s?o os trabalhos acad?micos que abordam quest?es sobre a interpreta??o deste tipo de m?sica. Este fato foi o que nos impulsionou a realizar uma investiga??o buscando evidenciar os principais aspectos interpretativos dos g?neros utilizados pelo Maestro Duda. Foi realizada uma entrevista semiestruturada com o compositor, objetivando compreender sobre as diversas quest?es referentes ?s Obras e sua carreira musical. Desta forma, o trabalho encontra-se divido em 3 partes: a primeira, cont?m informa??es sobre a carreira musical do compositor, produ??o art?stica e atualiza??o do cat?logo de composi??es para forma??es de instrumentos de metais; a segunda, aborda, de um modo geral, quest?es a respeito da interpreta??o; e a terceira parte, trata dos g?neros musicais utilizados pelo compositor al?m de conter sugest?es interpretativas para o trombonista nas Obras estudadas. / The present work deals with interpretative questions about 3 works for soloist trombone of Maestro Duda, with the objective of suggesting subsidies that aid in the development of the procedures of preparation and execution of the pieces. The works studied here are: Two Dances (Gizelle and Marquinhos in Frevo), Fantasia for Trumpet and Trombone, and Monette Suite. Among the main features of Maestro Duda's compositional works, we can highlight the use of musical genres of Brazilian culture, however, there are few academic works that deal with questions about the interpretation of this type of music. This fact was what prompted us to carry out an investigation seeking to highlight the main interpretative aspects of the genres used by Maetro Duda. A semi - structured interview was conducted with the composer, aiming to understand the various issues concerning the works and his musical career. In this way, the work is divided into 3 parts: the first contains information about the composer's musical career, artistic production and updating of the catalog of compositions for formations of metal instruments; the second addresses in general questions about interpretation; and the third part, deals with the musical genres used by the composer, besides containing interpretative suggestions for the trombonist in the works studied.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-02-02T14:51:09Z No. of bitstreams: 1 HudsonDeSousaRibeiro_DISSERT.pdf: 24014474 bytes, checksum: 98aa9b3af11207e0f6d6377e7b55277b (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-02-09T18:11:43Z (GMT) No. of bitstreams: 1 HudsonDeSousaRibeiro_DISSERT.pdf: 24014474 bytes, checksum: 98aa9b3af11207e0f6d6377e7b55277b (MD5) / Made available in DSpace on 2017-02-09T18:11:43Z (GMT). No. of bitstreams: 1 HudsonDeSousaRibeiro_DISSERT.pdf: 24014474 bytes, checksum: 98aa9b3af11207e0f6d6377e7b55277b (MD5) Previous issue date: 2016-08-10 / O presente trabalho discutir? sobre o Concertino para Clarinete e Orquestra de C?mara de Jos? de Lima Siqueira (1907-1985) atrav?s de uma abordagem interpretativa. Trata-se de uma obra para clarineta solista e orquestra reduzida, escrita em 1969 e dedicada ao clarinetista brasileiro Jos? Cardoso Botelho. O objetivo deste trabalho ? estudar as caracter?sticas musicais e as possibilidades interpretativas visulizadas, al?m da narrativa de aprendizado do autor desta pesquisa e uma sugest?o de como tocar o ?Mi b2? com uma clarineta boehm de 17/18 chaves na cad?ncia. O trabalho est? dividido em: introdu??o onde abordaremos o elo entre o compositor e o int?rprete; cap?tulo 1, onde traremos uma revis?o bibliogr?fica e informa??es relevantes sobre o compositor; No Cap?tulo 2 iremos expor uma an?lise da obra e informa??es sobre Jos? Botelho e de como ele executou esta obra; finalmente, no cap?tulo 3 evidenciaremos sugest?es de como se vencer as passagens t?cnicas de alta complexidade existentes. / This paper will discuss the Concertino for Clarinet and Jos? Chamber Orchestra of Lima Siqueira (1907-1985) through an interpretative approach. This is a work for clarinet soloist and chamber orchestra, written in 1969 and dedicated to the Brazilian clarinetist Jos? Cardoso Botelho. The aim of this work is study musical characteristics and displaying interpretative possibilities, as well as the author of this research, learning narrative and a suggestion of how to play the Mi flat 2 with a clarinet 17/18 keys in Cadence. The work is divided into introduction where we discuss the link between the composer and the performer, chapter 2 we will bring a literature review and relevant information about the composer. In chapter 3 we?re going to expose analysis of the piece and information on Jos? Botelho and how he performed this work, finally, in chapter 4 we will evidence suggestions on how to overcome the existing technical passages of high complexity.