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Drowning in rational discourse strategies of survival in Margaret Atwood's Surfacing, Marilynne Robinson's Housekeeping, and Louise Erdrich's Tracks /Petrilli, Monica. January 2007 (has links)
Thesis (M.A.)--Villanova University, 2007. / English Dept. Includes bibliographical references.
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The Evolution of Survival as Theme in Contemporary Native American Literature: from Alienation to LaughterSchein, Marie-Madeleine 12 1900 (has links)
With the publication of his Pulitzer Prize winning novel, House Made of Dawn. N. Scott Momaday ended a three-decade hiatus in the production of works written by Native American writers, and contributed to the renaissance of a rich literature. The critical acclaim that the novel received helped to establish Native American literature as a legitimate addition to American literature at large and inspired other Native Americans to write. Contemporary Native American literature from 1969 to 1974 focuses on the themes of the alienated mixed-blood protagonist and his struggle to survive, and the progressive return to a forgotten or rejected Indian identity. For example, works such as Leslie Silko's Ceremony and James Welch's Winter in the Blood illustrate this dual focal point. As a result, scholarly attention on these works has focused on the theme of struggle to the extent that Native American literature can be perceived as necessarily presenting victimized characters. Yet, Native American literature is essentially a literature of survival and continuance, and not a literature of defeat. New writers such as Louise Erdrich, Hanay Geiogamah, and Simon Ortiz write to celebrate their Indian heritage and the survival of their people, even though they still use the themes of alienation and struggle. The difference lies in what they consider to be the key to survival: humor. These writers posit that in order to survive, Native Americans must learn to laugh at themselves and at their fate, as well as at those who have victimized them through centuries of oppression. Thus, humor becomes a coping mechanism that empowers Native Americans and brings them from survival to continuance.
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Kopf und Schädel : Methoden des Wahnsinns in Canettis roman "Die Blendung" / Brain and brawn methods of madness in Canetti's novel "Die Blendung"Riezky, Günther Helmut Dieter 11 1900 (has links)
Text in German / Many treatises and disquisitions concerning "Die Blendung"
concentrate on the main character, Peter Kien, as well as
on other protagonists. In contrast, this dissertation deals
with Pfaff, the primitive force and his influence on Peter
Kien, the "Brain", the masterspirit.
Common traits of these di verse characters are highlighted
and it is explained why Pfaff, the brute, manages to exult
over Kien, the intellectual. Their interactions and their
interdependence are dealt with and it is shown that
insanity which is prevalent in both protagonists prepares
the way to Kien's doom whereas it leads to Pfaff's
survival. / Das Interesse zahlreicher Untersuchungen Uber "Die
Blendung" konzentriert sich auf die Hauptperson, Peter
Kien, sowie auf andere Protagonisten. Im Gegensatz dazu
beschaftigt sich diese Arbei t mi t dem Hausmeister Pfaff,
dem "Schadel", und mit dem EinfluB, den er auf Peter Kien,
den "Kopf", den Geistesmenschen hat. Es wird versucht,
Gemeinsamkeiten, die diese beiden so gegensatzlichen
Charaktere aufweisen, aufzuzeigen und darzulegen, warum der
Gewaltmensch Pfaff Uber den wirklichkeitsfremden
Wissenschaftler Kien zu triumphieren vermag.
Der EinfluB, den sie aufeinander nehmen, und die
Abhangigkeit voneinander werden aufgezeigt, und es wird
aufge fUhrt, wie der Wahnsinn, dem sie be ide verf all en, zu
Kiens Untergang filhrt, wahrend Pfaffs Uberleben durch
seinen Wahnsinn gesichert wird / Linguistics and Modern Languages / M. A. (German)
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Kopf und Schädel : Methoden des Wahnsinns in Canettis roman "Die Blendung" / Brain and brawn methods of madness in Canetti's novel "Die Blendung"Riezky, Günther Helmut Dieter 11 1900 (has links)
Text in German / Many treatises and disquisitions concerning "Die Blendung"
concentrate on the main character, Peter Kien, as well as
on other protagonists. In contrast, this dissertation deals
with Pfaff, the primitive force and his influence on Peter
Kien, the "Brain", the masterspirit.
Common traits of these di verse characters are highlighted
and it is explained why Pfaff, the brute, manages to exult
over Kien, the intellectual. Their interactions and their
interdependence are dealt with and it is shown that
insanity which is prevalent in both protagonists prepares
the way to Kien's doom whereas it leads to Pfaff's
survival. / Das Interesse zahlreicher Untersuchungen Uber "Die
Blendung" konzentriert sich auf die Hauptperson, Peter
Kien, sowie auf andere Protagonisten. Im Gegensatz dazu
beschaftigt sich diese Arbei t mi t dem Hausmeister Pfaff,
dem "Schadel", und mit dem EinfluB, den er auf Peter Kien,
den "Kopf", den Geistesmenschen hat. Es wird versucht,
Gemeinsamkeiten, die diese beiden so gegensatzlichen
Charaktere aufweisen, aufzuzeigen und darzulegen, warum der
Gewaltmensch Pfaff Uber den wirklichkeitsfremden
Wissenschaftler Kien zu triumphieren vermag.
Der EinfluB, den sie aufeinander nehmen, und die
Abhangigkeit voneinander werden aufgezeigt, und es wird
aufge fUhrt, wie der Wahnsinn, dem sie be ide verf all en, zu
Kiens Untergang filhrt, wahrend Pfaffs Uberleben durch
seinen Wahnsinn gesichert wird / Linguistics and Modern Languages / M. A. (German)
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