<p>This thesis explores social identity and group membership at the Van Besien site by identifying the social patterning in the production and consumption of ceramics. Since potting is a social event involving transmission of knowledge, production exists within social constraints specific to each potter and influences the technological choices he/she makes. Such technological choices culminate in what is regarded as technological style, created by the repetition of activities or choices that create discernible patterns to allow for identification of styles that demarcate social boundaries.</p> <p>By identifying stylistic traditions of production and use of ceramics at Van Besien, I found evidence for both fluidity and rigidity of social boundaries. There are constant technological choices that traditionally would be viewed as evidence of rigid social membership. In contrast, the presence of variability at the Van Besien site indicates that social groups were not rigid. To identify if social membership was spatially represented, variability was explored throughout the site. I found that there were unexpected social divisions visible spatially in the pottery.</p> <p>The results demonstrate that with new theoretical frameworks, new interpretations regarding village social spheres can be discerned. My thesis represents a successful re-evaluation of an extant collection with missing and deficient documentation. This case study shows that extant collections can be revisited, reevaluated, and shed new light on academic debates in Ontario archaeology.</p> / Master of Arts (MA)