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31	Symphony for chamber orchestra Steg, Paul O. January 1961 (has links) Thesis (D.M.A)--Boston University. Symphonies Chamber music
32	Symphony for wind ensemble Oldham, Ryan. Mobberley, James. January 2008 (has links) Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008. / "A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 25, 2009. Online version of the print edition. Symphonies (Wind ensemble)
33	Form, style, function and rhetoric in Gottlob Harrer's sinfonias : a case study in the early history of the symphony / Rober, Russell Todd. January 2006 (has links) Diss.--Philosophy--Denton (Tex.)--Univ. of North Texas, 2003. / Contient la musique de plusieurs symphonies en fin de volume. Sources et bibliogr. p. 153-163. Harrer, Gottlob, Symphonies
34	Die Sinfonien Gian Francesco Malipieros / Thiemann, Beate. January 2001 (has links) Diss.--Philosophie--Köln, 2001. / Bibliogr. p. 494-502. Malipiero, Gian Francesco, Symphonies
35	Edward Elgar und die deutsche symphonische Tradition : Studien zu Einfluss und Eigenständigkeit / Gassmann, Michael, January 2002 (has links) Diss.--Freiburg (Brisgau), 2000. / Bibliogr. p. 323-335. Elgar, Edward, Symphonies
36	Doctoral thesis recital (conducting) Gutierrez, Alejandro 20 July 2012 (has links) Symphony no. 100 in G "Military" / Franz Joseph Haydn -- Appalachian spring / Aaron Copland -- The firebird 1919 suite / Igor Stravinsky. / text Symphonies Orchestra music
37	Doctoral thesis recital (conducting) Sanders, Stefan 25 July 2012 (has links) Symphony no. 100 in G "Military" / Franz Joseph Haydn -- Appalachian spring / Aaron Copland -- The firebird, 1919 suite / Igor Stravinsky. / text Symphonies Orchestral music
38	Symphony number 1 for concert band Lato, John William, 1979- 17 October 2012 (has links) Symphony Number 1 for Concert Band is a musical composition for symphonic band. The work calls for an ensemble of large forces in order to explore a variety of musical textures and techniques within traditional formal design. Formally the work is in three independent movements. Each movement is built upon a relatively traditional form or key scheme. The first movement is the most complex, a modified rounded binary form with dominant -- tonic relationships. The second is a passacaglia, and the third is a highly rhythmic sonata rondo. A variety of instrumental textures are explored throughout the work. Climactic sections call for large tuttis and ensemble unisons. Sections for small groups balance these larger statements. Soloists drawn from the ensemble are frequently called for, with the third movement featuring an extended duet for soprano and alto saxophone. Traditional tonal harmonic structures are melded with harmonies driven by polytonal chromaticism in a melodic context. Polytonal chromaticism is a formative element of the work, appearing throughout each movement and used to provide structure and dramatic tension at all levels within the composition. / text Symphonies (Band)--Scores and parts
39	Band transcription of Symphony #1 (fourth movement) Sibelius, Jean, 1865-1957 January 1941 (has links) No description available. Symphonies (Band), Arranged -- Scores.
40	Symphony in D minor (first movement); Transcribed and arranged for concert band by Cecil F Whitaker Franck, César, 1822-1890 January 1951 (has links) No description available. Symphonies (Band), Arranged -- Scores.

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