Symphony: Tambora is a piece for chamber orchestra that is inspired by the 1815 eruption of Mount Tambora in the Lesser Sunda Islands of the Phillipines. Its three movements deal with the genesis of Mount Tambora, the magma chambers filling up and spilling over, and the series of eruptions that resulted in some of the worst climate crises in recorded history. The thesis includes a score of the work, and an accompanying analysis.

The catastrophic eruption of the Indonesian volcano Mt. Tambora in April 1815, which ejected a cloud of sulfur dioxide into the upper atmosphere, plunged the world into a rapid temporary climate change event. A series of bizarre weather anomalies, including snowstorms in June and repeated heavy frosts throughout the rest of the summer, earned 1816 the moniker "the Year Without a Summer." This paper examines the various ways in which Americans reacted to the climate change--seeking causation explanations through science and superstition, political and religious responses, and the efforts to appreciate what the events meant in terms of the world's changing climate. Through these various reactions, a picture emerges of Americans' incomplete understanding of science and nature, as well as an uneasy reckoning with the impossibility of fully explaining their environment and the potential dangers it presented to them.

After 1815's eruption of Mount Tambora, the following period was named the "Year without a Summer" and experienced irregularly cold weather, failed crops, rampant disease, and riots. In the summer of 1816, Lord Byron, Percy Bysshe Shelley, and Mary Wollstonecraft Shelley met in the Alps and wrote "Darkness," "Mont Blanc," and Frankenstein respectively. This thesis focuses on these works' depictions of nature in light of how these features may have been impacted by the climate. It argues in Chapter One that the volcanic eruption caused global climate changes that affected these writers. In Chapter Two, it illustrates differences in nature's representation between first generation and second generation Romantic works. The conclusion synthesizes the arguments made in Chapters One and Two, suggesting that 1816's climate affected these writers in such a way as to produce an environment from which science fiction could emerge in Frankenstein. / Includes bibliography. / Thesis (M.S.)--Florida Atlantic University, 2015. / FAU Electronic Theses and Dissertations Collection