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From "V is the sign" to "Love generation": how the production, circulation, and consumption of Japanese TVdramas have changed in postwar Hong KongWong, Chi-hang, 王志恒 January 2009 (has links)
published_or_final_version / Modern Languages and Cultures / Master / Master of Philosophy
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Organizational contexts and television dramas: a comparative study of public and commercial television.January 1993 (has links)
Eric Kit-wai Ma. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1993. / Includes bibliographical references (leaves [126]-133). / Chapter Chapter 1 --- Introduction --- p.1 / Chapter 1.1 --- Formulation of Research Questions --- p.3 / Chapter 1.2 --- Significance --- p.8 / Chapter 1.3 --- Structure of the Thesis --- p.11 / Chapter Chapter 2 --- Theoretical Review --- p.12 / Chapter 2.1 --- Television Studies --- p.13 / Chapter 2.2 --- Media Organization Research --- p.17 / Chapter 2.3 --- Culture Production Theory --- p.20 / Chapter 2.4 --- Organizational Theory --- p.22 / Chapter Chapter 3 --- Methodology --- p.26 / Chapter 3.1 --- Significance and Representativeness --- p.28 / Chapter 3.2 --- Comparability --- p.30 / Chapter 3.3 --- Textual Analysis --- p.33 / Chapter 3.4 --- Organizational Analysis --- p.34 / Chapter Chapter 4 --- Textual Analysis --- p.37 / Chapter 4.1 --- Television and Ideology --- p.37 / Chapter 4.2 --- The Comparative Strategy --- p.41 / Chapter 4.3 --- Discourse of Capitalistic Economy --- p.46 / Chapter 4.4 --- Discourse of Sino-Hongkong Politics --- p.51 / Chapter 4.5 --- Discourse of Patriarchal Culture --- p.57 / Chapter 4.6 --- Choric and Lyric Drama --- p.59 / Chapter Chapter 5 --- Orcranizational Analysis --- p.62 / Chapter 5.1 --- Configuration of Creative Locus --- p.63 / Chapter 5.2 --- Organization Schema --- p.66 / Chapter 5.3 --- Feedback System --- p.78 / Chapter 5.4 --- Track Record & Resources Allocation --- p.90 / Chapter 5.5 --- Case Control: Context and Genre --- p.97 / Chapter Chapter 6 --- Conclusion --- p.109 / Chapter 6.1 --- Organizational Contexts of GM and BLR --- p.110 / Chapter 6.2 --- Ideological Effect of Contextual Factor --- p.111 / Chapter 6.3 --- The Limit of Generalization --- p.115 / Chapter 6.4 --- "Theoretical, Policy & Methodological Implications" --- p.118 / Chapter 6.5 --- For a Dynamic Model of TV Production --- p.121 / Chapter 6.6 --- Further Research --- p.124 / Bibliography --- p.126 / Appendix 1 Interview Questions --- p.134 / Appendix 2 Name List of Interviewees --- p.137
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Contributions of negative affect and empathy to the enjoyment of television drama a eudaimonic approach /German, Tom. January 2008 (has links)
Thesis (Ph. D.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 77-82).
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Anticorruption television dramas between propaganda and popular culture in globalizing China /Bai, Ruoyun. January 1900 (has links)
Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007. / Adviser: Bruce A. Williams. Includes bibliographical references.
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Japanese demonstratives in television dramas : variance and invariance /Watt, Yasuko Ito. January 1991 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1991. / Includes tables. Typescript; issued also on microfilm. Sponsor: Clifford A. Hill. Dissertation Committee: Jo Anne Kleifgen. Includes bibliographical references (leaves 212-222).
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Managing the content of Malaysian television drama : producers, gatekeepers and the Barisan Nasional government /Foo, Tee-Tuan. January 2004 (has links)
Thesis (Ph.D.)--Ohio University, August, 2004. / Includes bibliographical references (p. 267-295)
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Managing the content of Malaysian television drama producers, gatekeepers and the Barisan Nasional government /Foo, Tee-Tuan. January 2004 (has links)
Thesis (Ph.D.)--Ohio University, August, 2004. / Title from PDF t.p. Includes bibliographical references (p. 267-295)
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An ethnographical/ethnomethodological study of soap opera writing /Sirota, David Robert January 1976 (has links)
No description available.
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Heroes, assassins, mobsters, and murders martial arts TV and the popular Chinese imagination in the PRC /Thomas, Suzanne Lynne. January 2004 (has links) (PDF)
Thesis (Ph.D.)--University of California, San Diego, 2004. / Chair: Chandra Mukerji. Includes bibliographical references.
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Popular culture production and exchange in the greater China regional media market a case study of Taiwan symbol creator Chiungyao's Huanzhu gege TV drama trilogy /Cheng, ShaoChun. January 2007 (has links)
Thesis (Ph.D.)--Ohio University, 2007. / Adviser: Drew McDaniel. Includes bibliographical references.
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