“Can the understanding of the patterns of urban development around a temple complex in India, using Christopher Alexander’s methodology, help better preserve these temple communities and their related temple architecture?” India, a country largely governed by a spiritual culture, draws sustenance and strength largely from religious buildings, thus leading to an emergence of many towns around these religious buildings and events associated with them. The temple acts as the nucleus and the body of life and township shoots from it with the cultural, religious and commercial needs acting as its driving force. Certain groups of people having similar experiential, ideological and sociological backgrounds tend to form a chorus in their pattern generation. The patterns refer to the patterns of relationship between the events that occur in the temple with the various spaces that they occur in. It also refers to the recurring relationships and influences of the temple on the temple town including both the urban development and community which shoot around the temple. The reverse recurring events also forms its own set of patterns. These patterns are seen both in the physical development of streets, shops etc around and in the intangible aspects of the culture, festivals and beliefs of people living in that town. Thus pattern language in this thesis refers to the life, culture and architecture generated by the recurring interactions and interdependencies of the temple communities as a whole. Thus this thesis concludes that the thorough understanding of these interdependencies and interconnections between the structure, its town and community helps preserve the temple architecture as well the town and its intangible culture more effectively. This approach to preservation makes the outcome more holistic and sustainable. This thesis, through its case studies of an existing successful temple town in Puri, India and an ongoing project of the Bindusagar lake, understands this interdependency and develops patterns to be applied in the context of a deteriorated temple village of Kapileswar. They are studied both as sacred places and urban growths where communities thrive. This thesis will focus its final chapters on the application of the studied patterns and its outcome in the form of a preservation model for the Kapileswar temple and temple village based in Orissa, India. However the model in its fundamental framework attempts to suggest that it can be applied on any other setting, location and architecture. This proposed model summarizes the above findings and tries to draw concepts for the preservation process of the Kapileswar temple village based on a pattern approach. The above case studies and their comparative analysis very clearly indicate the various similarities and dissimilarities between their respective settings and approaches. The proposed model for the holistic preservation model of the Kapileswar temple village draws its similarities from the culture, rituals, festivals, commercial endeavors, networks and location of the Puri Jagannatha Temple and the Bindusagar project and its differences from their management structure, devotee following, history, legends and economics. The model includes the proposed management structure and execution structure of the preservation process of the Kapileswar temple based on the above study that will help in the sustainable growth and maintenance of the temple village as a whole. The nucleus of this model is the temple. The model identifies the various elements that when incorporated in the co-operative society management structure and the space allocation diagram form the necessary patterns that ultimately make up for the pattern approach to preservation. The model also includes various charts and diagrams that prioritize and compartmentalize the many small and big items, events and spaces as a part of the above patterns. Hence the proposed model creates a flow of steps that will help preserve the Kapileswar temple and village based on a holistic pattern approach. / text

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A concepção arquitetônica dos templos dóricos gregos é abordada na interface da análise entre as fontes textuais e a cultura material. Verificamos a relevância e o papel que tiveram a \"elegância\" e a \"sutileza\", segundo Vitrúvio, no modus operandi dos arquitetos gregos, como recursos técnicos e metodológicos para o desenvolvimento do projeto do templo dórico grego entre o século V-II a.C. Visamos esclarecer e estabelecer vínculos entre esses conceitos relativamente subjetivos e a lógica subjacente que norteou os arquitetos, tanto em projeto como nas aplicações precisas em obra, verificando assim a Hipótese Modular proposta por Mark Wilson Jones, para a concepção dos templos dóricos gregos. Para isso, abordarmos os fundamentos científicos da arquitetura grega a partir da análise de dois grupos de templos: o Grupo 1, composto de oito templos hexastilos, 6 x 13, do século V a.C. e o Grupo 2, composto de nove templos hexastilos perípteros de configuração de colunata lateral variada, datados entre o IV-II século a.C. Adotamos como ponto de partida da pesquisa, e referência fundamental, os artigos publicados por Mark Wilson Jones em 2001 e 2006, respectivamente, nos periódicos: American Journal of Archaeology e Nexus. Procuramos sistematicamente atualizar o debate apoiados nas discussões mais recentes e em nossas próprias análises e conclusões. / This thesis addresses the conception of Greek Doric Temple Design and architecture found in the analysis of and interface between textual sources and material culture. This thesis notes the importance of and the role that \"elegance\" and \"subtlety\" played, according to Vitruvius, in the modus operandi of Greek architects, including technical and methodological resources in the development of Greek Doric temples between the fifth and second centuries BC. This work aims to clarify and establish links between these relatively subjective concepts and the subjacent logic that guided these architects, both in design as well as in their precise application in construction, thus verifying the Modular hypothesis proposed by Mark Wilson Jones. Towards this end, this thesis addresses the scientific foundations of Greek architecture by analyzing two groups of temples: Group 1, comprised of eight 6 x 13 hexastyle temples from the fifth century BC and Group 2, comprised of nine hexastyle peripteral temples in varied peristyle lateral configuration, dated between the fourth and second centuries BC. The starting point of and the fundamental reference for the research are scholarly articles published by Mark Wilson Jones in 2001 and 2006 in The American Journal of Archaeology and Nexus, respectively. This work seeks to systematically update the latest debates and discussions surrounding this topic via the author\'s own analysis and subsequent conclusions.

A concepção arquitetônica dos templos dóricos gregos é abordada na interface da análise entre as fontes textuais e a cultura material. Verificamos a relevância e o papel que tiveram a \"elegância\" e a \"sutileza\", segundo Vitrúvio, no modus operandi dos arquitetos gregos, como recursos técnicos e metodológicos para o desenvolvimento do projeto do templo dórico grego entre o século V-II a.C. Visamos esclarecer e estabelecer vínculos entre esses conceitos relativamente subjetivos e a lógica subjacente que norteou os arquitetos, tanto em projeto como nas aplicações precisas em obra, verificando assim a Hipótese Modular proposta por Mark Wilson Jones, para a concepção dos templos dóricos gregos. Para isso, abordarmos os fundamentos científicos da arquitetura grega a partir da análise de dois grupos de templos: o Grupo 1, composto de oito templos hexastilos, 6 x 13, do século V a.C. e o Grupo 2, composto de nove templos hexastilos perípteros de configuração de colunata lateral variada, datados entre o IV-II século a.C. Adotamos como ponto de partida da pesquisa, e referência fundamental, os artigos publicados por Mark Wilson Jones em 2001 e 2006, respectivamente, nos periódicos: American Journal of Archaeology e Nexus. Procuramos sistematicamente atualizar o debate apoiados nas discussões mais recentes e em nossas próprias análises e conclusões. / This thesis addresses the conception of Greek Doric Temple Design and architecture found in the analysis of and interface between textual sources and material culture. This thesis notes the importance of and the role that \"elegance\" and \"subtlety\" played, according to Vitruvius, in the modus operandi of Greek architects, including technical and methodological resources in the development of Greek Doric temples between the fifth and second centuries BC. This work aims to clarify and establish links between these relatively subjective concepts and the subjacent logic that guided these architects, both in design as well as in their precise application in construction, thus verifying the Modular hypothesis proposed by Mark Wilson Jones. Towards this end, this thesis addresses the scientific foundations of Greek architecture by analyzing two groups of temples: Group 1, comprised of eight 6 x 13 hexastyle temples from the fifth century BC and Group 2, comprised of nine hexastyle peripteral temples in varied peristyle lateral configuration, dated between the fourth and second centuries BC. The starting point of and the fundamental reference for the research are scholarly articles published by Mark Wilson Jones in 2001 and 2006 in The American Journal of Archaeology and Nexus, respectively. This work seeks to systematically update the latest debates and discussions surrounding this topic via the author\'s own analysis and subsequent conclusions.