Thesis (master's)--Universität, Hamburg, 2006. / Includes bibliographical references (p. 105-111).

Th.--Hist. et archéol.--Paris, 1988.

Texte remanié de: Thèse 3e cycle--Paris--EHESS, 1986. / Bibliogr. p. 137-143. Index.

Th. univ.--Strasbourg, 1990. / Bibliogr. p. 153-163. Index.

La coupe de Droop attique* est un vase sur pied haut, produit à Athènes dans la 2e moitié du VIe s. av. J.-C. et, plus exceptionnellement, dans le 1er quart du Ve avant J.-C. Par la forme de sa vasque et la distribution de son décor, elle se rapproche davantage de la coupe à bande des « Petits Maîtres », dont elle est très probablement une variante. Il n’y a eu jusqu’à présent que très peu d’études approfondies sur cette classe, John Percival Droop et Percy Neville Ure faisant figures de pionniers dans ce domaine. Pourtant, deux de ses potiers, Antidoros et Nikosthénès, ont été repérés par leurs signatures dès la fin du XIXe et du début du XXe siècles et une dizaine de peintres ou groupes de peintres ayant décoré des exemplaires de cette forme avait déjà été identifiée par John Beazley. Depuis les travaux de ces chercheurs dans les années 1950, de nombreux spécimens de coupes de Droop ont été découverts et publiés, sans toutefois être insérés dans une étude d’ensemble. Cette recherche de doctorat propose de revoir les informations anciennes livrées par l’archéologie des coupes de Droop, et d’analyser les nouvelles données à travers un corpus d’exemplaires découverts en Grèce du Nord, sur l’île de Thasos et dans sa colonie, Néapolis (Kavala). *Il existe un équivalent laconien. / The Attic* Droop cup is a vase with high foot, produced in Athens in the 2nd half of the VI and first quarter of the V century B.C. By the shape of its bowl and the distribution of its decoration, it is close to the Little Master band cup and very probably a variant of this one. Although two of its potters (Antidoros and Nikosthénès) were identified by their signatures from the XIXth century, there were until now very few in-depth studies on this class, John Percival Droop and Percy Neville Ure being real pioneers in this field. John Beazley established a list of less than about ten painters or groups of painters having decorated some of the Droop cups Since the works of these researchers in the Fiftie’s, numerous specimens of Droop cups were discovered and published, without having however been inserted into a more general study. This Ph.D. research suggests revising the former informations delivered by Archaeology of Droop cups, and analyzing the new data through a corpus of exemplaries discovered in Northern Greece, on the island of Thasos and in its colony, Néapolis (Kavala).*There is a Laconian equivalent.

Texte remanié de: Th. État--Archéol.--Dijon, 1992. / Bibliogr. t. 1, p. 523-526. Index à la fin du vol. 1.

Nosso objetivo neste trabalho foi estudar a cerâmica de figuras negras tasienses como um documento inserido em contextos arqueológicos, parte dos objetos votivos oferecidos em santuários femininos, com destaque para o Artemísion de Tasos. A pesquisa centrou-se em Tasos, uma ilha situada no norte do Egeu, fundada por gregos de Paros. Concentramo-nos no período arcaico, mais especificamente no século VI a.C., auge das produções locais. A partir dos contextos arqueológicos, aprofundados por meio dos relatórios de escavação, analisamos as relações significativas sociais e religiosas que foram estabelecidas entre materiais votivos associados a esta cerâmica de figuras negras tasienses. Essas relações trouxeram elementos que nos permitiram interpretar o multiculturalismo imbricado aos objetos, o mimetismo e as inovações na decoração destas figuras negras, a demanda em termos quantitativos de um tipo de vaso chamado lêcana, objeto que mostrou-se carregado de informações e significados de culto. Além de características que nos revelaram práticas certamente votivas, desveladas pela sua maneira de exposição, pelos traços decorativos, que até o momento apresentam-se exclusivamente documentadas em Tasos. A pesquisa revelou a relação intrínseca ligada às diversas fases de Ártemis, aos ritos de passagem e à proteção da mulher no parto. Também mostrou que a múltipla Ártemis, protetora da mulher, atua no espaço cívico-religioso em conexão com o oîkos. Por fim, enfatizamos que todos os elementos relacionados acima foram embasados por um escopo teórico (conceito de emaranhamento cultural, recepção e inovação cultural) pertinente para alicerçarmos nossa reflexão acerca do que emergiu da documentação material nos contextos documentados arqueologicamente. / The aim of the present research was to study Thasian black-figured pottery as archaeologically contextualized documents, forming part of the votive objects offered at female sanctuaries, especially the Artemision of Thasos. The research is centered on Thasos, an island situated in the Northern Aegean, settled by Greeks from Paros. We focus on the Archaic Period, more specifically on the sixth century BC, the peak of local production. Departing from the archaeological contexts, illuminated through excavation reports, we analyze significant social and religious connections among votive materials associated with the Thasian black-figured pottery. These connections brought us elements that allowed us to interpret the multiculturalism imbricated within the objects, the mimicry and the innovations in the decoration of this black-figured pottery, as well as the special demand, in quantitative terms, of a type of vessel called lekane, an object that was loaded with information and cultic meanings. In addition, those same elements also showed us traits that reveal votive practices, judging by the way the pottery was exhibited, and its decorative features, which to date are only attested in Thasos. The research revealed intrinsic relationships linked to the diverse facets of Artemis, from a goddess protecting the rites of passage to the protection of women in childbirth. Moreover, it demonstrated that the multiple facets of Artemis, as protectress of women, acts in the civic-religious space in connection with the oíkos. Finally, we emphasize that all the elements referred to above were approached from the theoretical perspective of cultural entanglement, reception and cultural innovation, pertinent in grounding our reflection on what emerges from the material remains associated with the archaeological contexts.

Les fouilles archéologiques effectuées entre 1986 et 1987 sur le terrain Théologitis, au centre du village moderne de Limenas et au coeur de la ville antique de Thasos, ont permis de mettre au jour les vestiges partiels d’une habitation de l’époque romaine. De cette maison, trois pièces ont été fouillées, parmi lesquelles une grande salle rectangulaire contenant une mosaïque de sol conservée dans un état exceptionnel. Notre étude se consacre à l’analyse de ces trois pièces, pour en préciser la fonction et la chronologie, et pour placer cet ensemble architectural dans le paysage urbain de Thasos à l’époque romaine. La première partie de cette recherche est consacrée à l’histoire de Thasos et à la place occupée par les relations économiques et politiques de cette cité dans le nord de la Grèce, mais aussi ailleurs en Méditerranée. La seconde partie traite de l’évolution architecturale de la maison grecque et romaine en Grèce, dont les modifications et l’utilisation de l’espace ont souvent été influencées par des pratiques étrangères. Enfin, la troisième partie porte sur l’analyse de la maison du terrain Théologitis et la fonction des pièces fouillées, en comparant notamment les vestiges découverts avec ceux des autres maisons romaines mises au jour dans l’île. / Archaeological excavations carried out on the Theologitis field between 1986 and 1987, located in the centre of the modern village of Limenas and in the heart of the ancient city of Thasos, have brought to light the partial remains of a dwelling from the Roman period. From this house, three rooms were excavated, including a large rectangular room containing a floor mosaic preserved in exceptional condition. Our study is devoted to the analysis of these three rooms, in order to clarify their function and chronology, and to place this structure in the urban landscape of Thasos during the Roman period. The first part of this research is devoted to the history of Thasos and the place occupied by the city in the economic and political relations in northern Greece, but also elsewhere in the Mediterranean. The second part deals with the architectural development of Greek and Roman houses, in Greece, which were often influenced by foreign practices. Finally, the third part deals with the analysis of the house uncovered in the Theologitis plot and the function of the excavated rooms, by comparing the remains discovered with those of other Roman houses unearthed on the island.