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This project explores visually experimental poetry as a particular trend in Caribbean poetry since the 1970's. Although visual experimentation in Caribbean poetry is immediately recognizable ??? for example, its play with font styles and sizes, its jagged margins, its division of the page into multiple discourse spaces, its use of images ??? little critical attention has been paid to the visual qualities of Caribbean poetry. Instead, definitions of Caribbean poetry have remained focussed upon oral/aural aesthetics, excluding its use of and contribution to late 20th century experimental poetic practice. By focussing on the poetry of Shake Keane, Claire Harris, Marlene Nourbese Philip, Kamau Brathwaite, and LeRoy Clarke, I bring post-colonial literary criticism into discussion with contemporary debates regarding visual poetic practice in North America. In so doing, this project values Caribbean visual poetry both for its expression of Caribbean cultural experience and for its contributions to broader experimental poetry movements. I argue that visual experimentation functions to disrupt traditional linear reading processes, which thereby allows poets to perform the flux of time and space in post-colonial contexts. Furthermore, such disruption of linear reading practices, often manifested by the positioning of multiple discourses on one page, serves to create a polyvocal discourse that resists patriarchal and colonialist power structures. Valuing the visual qualities of Caribbean poetry as signifying elements, this dissertation explores the aesthetic and social implications of inscription and visual design in Caribbean poetry.

From modern-day parking lot snipers to 18th century Romantic picturesque painters, At the Bank of Paradise: and Other Stories explores the unexpected boundaries of the Caribbean, following those who have come, those who have stayed, and those who have left the Caribbean behind. Inspired by real historical figures at the periphery of the Caribbean experience, these stories dive into untold narratives only glimpsed in the footnotes of history. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2015. / FAU Electronic Theses and Dissertations Collection

The projects described in this dissertation concentrated on investigating Caribbean species for qualitative and quantitative chemical differences. Chapter one includes a brief update on the status of natural products as drugs, a discussion of the biodiversity of Caribbean marine organisms as well as a discussion about the chemistry of algae and sponges. In chapter two, an experiment to test for possible effects of warmer, more acidic water and how that will impact coral reef organisms was conducted. Six common Caribbean coral reef sponge species were grown in seawater for 24 days ranging from values experienced at summer-maxima (temperature = 28 ºC; pH = 8.1) to those predicted for the year 2100 (T = 31 ºC; pH = 7.8). For each species, attachment rates, growth, and survival were similar between temperature and pH levels. Only two metabolite concentrations varied significantly between treatments but were similar to baseline levels. In chapter three, a chemical survey of Florida Keys algae was performed using MeOH extraction and HP-20 SPE with varying Me2CO:H2O solutions. 1H NMR spectra were collected for each fraction and analyzed for interesting signals. A Laurencia sp. was extracted and found to contain the known compound isodactylyne (61) with the structure determined using spectroscopic analyses. In chapter four, a Laurencia obtusa specimen was investigated to determine the compound causing oxygenated signals between 4.50 – 4.80 ppm in the 1H NMR spectra observed in chapter three. A large scale extraction and fractionation was performed and the compound was determined to be 1-O-palmitoyl-2-O-myristoyl-3-O-(6-sulfo-α- D-quinovo-pyranosyl)-glycerol (63). In chapter five, the isolation and structural elucidation of a new compound, furocaespitanenone (64) and two known compounds (10R)- and (10S)-10-O-methylfurocaespitanelactol 65 and 66, from a Laurencia sp. collected off of the Florida Keys using MeOH extraction and HP-20 column chromatography is described. A potential biosynthesis of 64 from furocaepsitane (68) is proposed. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2019. / FAU Electronic Theses and Dissertations Collection

Caricom Single Market and Economy (CSME) firms operate under various laws and policies on intellectual property rights (IPRs), innovation and technology. International analyses and rankings rate the CSME countries' performance as poor in comparison with others at the same level of economic development. This results in negative impacts on the economic and social welfare of their communities. A paucity of data existed concerning the effects of policies on decisions by local firms to engage in innovation and technology activities. The purpose of this qualitative case study was to examine the effects of policies on IPRs, innovation, and technology on firms in select CSME countries. The questions addressed how IPRs policies affect the choices of innovation activities by firms, and what differences in IPRs policies in Guyana, Barbados, Trinidad and Tobago and Jamaica, influence the decisions by firms to invest in innovation and technologies. Landes and Posner's utilitarian exposition that IPRs should be based on the maximization of social welfare provided the theoretical framework for the study. Various policy papers, firm studies, study reports, and legislation from government and international agencies were analyzed using 4 levels of inductive coding. Findings included a lack of clear IPRs policies, high levels of innovation where policies were weakest, and a general reluctance by firms in the countries to invest in innovation and technology. Further study of the sociological and cultural aspects of IPRs policies, and how they affect innovation in CSME is recommended. This study can help effect social change in the CSME by informing policies that maximize social welfare through innovation and technology.

This thesis considers the relationship between literary modernism and visual culture in the work of Caribbean modernist Jean Rhys. Through analysis of a range of visual modes—theatre, fashion, visual art, cinema and exhibition culture—it examines the racialised sexual politics of Rhys’s modernist aesthetics, as represented in her texts of the 1920s—30s. I read Rhys’s four interwar novels—Quartet (1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939)—in the context of contemporary visual practices and the politics of empire. Rhys’s descriptions of artistic practices, acts of viewing and interpreting art, and the identification of her protagonists as both objects and consumers of art are a crucial aspect of her anti-colonial feminism. The politics of vision and of empire are always intertwined for Rhys. Chapter One studies theatrical spectacle and everyday performances of the self. Chapter Two moves to the fashioning of female identities and sartorial constructions of Englishness. Chapter Three turns to Rhys’s use of ekphrasis to question representational structures as they exist in the modernist, primitivist art context. Chapter Four reads Rhys and cinema, focusing on divided or fractured subjectivities as relayed through allusions to distorted mirrors. This conveys Rhys’s powerful evocation of themes of alienation and dislocation. I conclude by analysing what ‘exhibition’ means for those occupying both subject and object visual positions within the imperial metropolis. Analysis is supported by readings of unpublished short stories, letters and poems, works that are relatively absent from current Rhys scholarship. The conjunction of revolutions in the visual arts and the destabilization of the empire in the modernist period provides clear space for investigation into the creation of new ways of seeing that provided a degree of visual agency for those deemed incapable of aesthetic production. Crucial to this is Rhys’s own Creolité. Situated within and outside of European visual subjectivity, Rhys’s work becomes vital to any study of social acts of seeing, in terms of individual subjectivity and within the wider systems of vision produced through the arts. / published_or_final_version / English / Doctoral / Doctor of Philosophy

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