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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

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Showing 1 to 2 of 2 (0.084 seconds)

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1

The Cunning Little Vixen: A Folktale Illustrated On Stage

Reid, Mikayla 01 July 2021 (has links)
This thesis paper reflects upon the costume design process taken by Mikayla Reid to explore how color choice and application within designs can help create storybook characters off the page and onto the stage. This concept is explored through the costume designs for the opera The Cunning Little Vixen, a production theoretically staged at the Alice Busch Opera Theater for the Glimmerglass Festival in New York. The paper discusses Reid’s attempt to create designs that still feel like watercolor illustrations, even when realized in physical garments. It follows her process as she tests different dye techniques in search for what produces the most effective color application. This paper also breaks down each step taken while constructing the main character, the Vixen, through the build, fittings, and color application.
The Cunning Little Vixen
Costume Design
Dyeing
Moravian Folk
Watercolor
Natural Dyes
Opera
Fiber, Textile, and Weaving Arts
Fine Arts
Interdisciplinary Arts and Media
Music Performance
Theatre and Performance Studies
Visual Studies
2

Recepce české a slovenské opery v Německu se zřetelem k Bavorské státní opeře v Mnichově / Reception of Czech And Slovak Opera in Germany in Consideration of Bavarian State Opera in Munich

Leška, Rudolf January 2013 (has links)
This thesis examines from theatrical point of view the Janáčkian dramaturgy in German speaking countries within the context of local reception of Czech and Slovak opera and with special consideration of the Bavarian State Opera in Munich. The main referential base of research is German daily critique through which the Author presents an overview of more important productions of Leoš Janáček's operas. The Author then discusses the historical context of these productions, the stage history, German Janáčkian programme and roots of modern-day social-critical expressive staging of Janáček in German speaking area as compared to the more lyrical realistic Czech approach (to simplify). The discussed period is concluded with the year 1998.

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