Thesis (Ph. D.)--University of Wisconsin--Madison, 1951. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [542]-551).

Thesis (D. Bus. Adm.)--University of Oklahoma, 1971. / Includes bibliographical references (leaves 418-441).

Thesis (Professional Degree)--University of Missouri, School of Mines and Metallurgy, 1925. / The entire thesis text is included in file. Typescript. Illustrated by author. Title from title screen of thesis/dissertation PDF file (viewed November 30, 2009) Includes index (p. 66-72).

Project report (M.S.)--Virginia Polytechnic Institute and State University, 1990. / Abstract. Includes bibliographical references (leaf 104). Also available via the Internet.

Thesis (M.S.)--University of Wisconsin--Madison, 1915. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 108-109).

Originally presented as the author's Thesis (M.B.A.)--Harvard School of Business Administration, 1921.

No description available.

Ensemble creation in Canada is a popular form of script development. It began essentially in the 1970’s with The Farm Show, and has become the site for much theoretical and critical discussion. The Electric Company Theatre began as an ensemble in 1996 and since then has created fascinating productions with a range of topics in both site specific and touring venues. Brilliant! The Blinding Enlightenment of Nikola Tesla was a cornerstone piece for this group and existed in a number of incarnations before the script was eventually published in 2004 and the production toured again in 2006. This thesis examines how the Electric Company Theatre developed material for performance as an ensemble. I also discuss how the Electrics were influenced by the various resources they used in order to generate text and imagery for the production. Through these discussions, I argue that the collective creation product has a direct influence on the process. My research has mostly been conducted through interviews with company members, through research of their production history and script.

The thesis aims at contributing to clarify broad conjectures on growth, such as, (i) the extent to which growth constitutes an imperative for the firm, and (ii) what leads some firms to enjoy continuing growth and a continued existence, while others, after experiencing continuing growth, end up contracting and decaying. As a result, the thesis seeks to develop a deeper understanding of the mechanisms fostering and precluding growth, while also identifying challenges and opportunities in managing growth. / The thesis comprises four interrelated essays: (i) Chandler on the growth of the firm---this essay scrutinizes The Visible Hand (Chandler, 1977) seeking to answer the question "What is Chandler's theory on how and why did the modern business enterprise (MBE) appear and grow?" Four processes are identified---MBE formation, MBE development, industry formation, industry development. Their analysis within a process-oriented view (Mohr, 1982) discloses chains of necessary conditions in growth-related processes. Moreover, two growth-related dilemmas are advanced and the firm-industry co-evolution is explored. (ii) Identifying the building blocks of growth dynamics---this essay addresses the question "Which are the basic processes of change that form the dynamics of growth?" Drawing on Mario Bunge's philosophy (1973--1989; 1979), a framework of qualitatively different modes of change is derived. The framework allows the identification of elementary units of the growth dynamics. These comprise the following types: quantitative, qualitative (dialectical), goal-directed, interactional, causal, structural, random. In addition, complex units of growth dynamics made up of combinations of elementary units are also advanced: evolutionary motor of firm growth, co-evolutionary motor of growth relating firm and industry, and different instances of continuing growth motors. (iii) Describing growth trajectories of firms---the question "How can growth trajectories be represented?" is addressed in this essay. An indicator of size, which automatically adjusts for inflationary and deflationary changes in currency value is proposed. This indicator enables the drawing of growth trajectories of firms in the economy over long periods of time. (iv) Growth trajectories of General Electric and Westinghouse: a comparative study---this essay addresses the question "Why do some firms experience continuing growth and continued existence while others decay and disappear?" The growth trajectories of

Ensemble creation in Canada is a popular form of script development. It began essentially in the 1970’s with The Farm Show, and has become the site for much theoretical and critical discussion. The Electric Company Theatre began as an ensemble in 1996 and since then has created fascinating productions with a range of topics in both site specific and touring venues. Brilliant! The Blinding Enlightenment of Nikola Tesla was a cornerstone piece for this group and existed in a number of incarnations before the script was eventually published in 2004 and the production toured again in 2006. This thesis examines how the Electric Company Theatre developed material for performance as an ensemble. I also discuss how the Electrics were influenced by the various resources they used in order to generate text and imagery for the production. Through these discussions, I argue that the collective creation product has a direct influence on the process. My research has mostly been conducted through interviews with company members, through research of their production history and script.