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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A Meaning-Full Bouquet: Margaret Fuller's and Elizabeth Stoddard's Use of Flowers to Grow Feminist Discourse

Kopcik, Corinne 03 August 2007 (has links)
Margaret Fuller’s and Elizabeth Stoddard’s innovative use of the language of flowers in “The Magnolia of Lake Pontchartrain” and The Morgesons explore multilevel feminine discourse in ways later described by Hélène Cixous and Luce Irigary. Fuller uses flowers symbolically in her text, not mimicking conventional sentimental motifs, but inspiring women’s independence and self-development. Fuller’s flower images become anthropomorphic possibilities for female empowerment which re-envision American women’s social roles and express Fuller’s developing feminism. Stoddard’s use of flowers reflects her realist writing and captures many of the contemporary social applications of flowers. Stoddard, like Alice Walker, sees some artistic agency for women through gardening, but ultimately finds the comparison of women to flowers an antiquated system which holds women back in search of social progress.
2

Flowers of Rhetoric: The Evolving Use of the Language of Flowers in Margaret Fuller's Dial Sketches and Poetry, Elizabeth Stoddard's The Morgesons, Edith Wharton's Summer, Mary Austin's Santa Lucia and Cactus Thorn, and Susan Glaspell's The Verge

Rhyner, Corinne Kopcik 05 May 2012 (has links)
The language of flowers was a popular phenomenon in the United States in the nineteenth century. This dissertation on American literature looks at several American women authors’ use of the language of flowers in their novels. I examine the use of the language of flowers in Margaret Fuller’s “Magnolia of Lake Pontchartrain,” “Yuca Filamentosa,” and poetry such as “To Sarah,” Elizabeth Stoddard’s The Morgesons, Edith Wharton’s Summer, Mary Austin’s Santa Lucia: A Common Story and Cactus Thorn, and Susan Glaspell’s The Verge. Through analysis of language of flowers dictionaries, historical studies of the language of flowers, feminist history and theory, and close readings of the sketches, poems, novels, and plays themselves, I will show that American women continued to use and be influenced by the language of f lowers for close to a decade. I will also show that these women writers’ use of the language of flowers shows evolving social attitudes toward women and standards of femininity in American society during the nineteenth and early-twentieth century.

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