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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
531

The feminization of wit : satire by British women writers, 1660-1800 /

Pohli, Carol M. January 1994 (has links)
No description available.
532

The British nautical drama (1824-1843) /

Tsai, André T. January 1964 (has links)
No description available.
533

Beyond Ireland : re-imagining Irish identities in the plays of Sebastian Barry /

Kaluhiokalani, Kekoa Cirilo January 2001 (has links)
No description available.
534

The Lincoln Center Repertory Theatre, 1958-1965 /

Roberts, Kenneth Harris January 1966 (has links)
No description available.
535

A history of the early Hartman Theatre, 1911-1921 /

Dorrell, Robert Eugene January 1969 (has links)
No description available.
536

The Mabel Tainter Memorial Theatre : a picturial case study of a late nineteenth-century American playhouse/

Bousliman, Charles William January 1970 (has links)
No description available.
537

A history and evaluation of the New Dramatists Committee /

Burman, Howard Vincent,1942- January 1971 (has links)
No description available.
538

The actor-manager career of Sir Frank Robert Benson in perspective : an evaluation /

Toth, John William January 1971 (has links)
No description available.
539

Drowning Demons That Swim: A Reclamation of Victim Through the Eyes of Ophelia

Reinhardt, Natasia L. 01 August 2017 (has links)
No description available.
540

A Costume Design for Pudd'nhead Wilson

Grace-Duff, Jamie L January 2012 (has links)
This thesis describes the process I used to research, draw, paint and finally design the costumes for Temple University's theatrical production of Pudd'nhead Wilson written by Charles Smith. I present the differences between the novel by Mark Twain and the script by Charles Smith. The early design process is then described including meetings with the director Doug Wager, the scenic designer Ian P. Guzzone and the lighting designer Christopher Hetherington. My preliminary costume research is illustrated in the text and the accompanying appendices followed by full color gouache renderings. I discuss the creation of the costumes from first fittings through final dress rehearsal and the challenges that were overcome. A separate chapter, including costume and make-up design, is dedicated to the controversial character of The Minstrel. Finally, the conclusion contains images enabling the reader to visualize the design of each character from preliminary collage, rendering and finally a production photo. These are combined with my thoughts and reflections on the final designs. / Theater

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