Thesis (Ph. D.)--University of Wisconsin--Madison, 1964. / Typescript. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 522-537.

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this investigation dealt with the problem student actors confront in making a transition from educational to professional theater due to inadequate or insufficient training. A mail survey was conducted with 110 Equity stock theaters to determine whether or not those theaters serve an internship function to offer additional training and assist the beginning actor in his transition period. The introduction considers professional attitudes toward educational theater and the subsequent need for internship. The second and third chapters discuss the construction of the mailed questionnaires and the more significant responses. The last chapter concludes from the 57.3 per cent response that Equity stock theaters constitute an important but limited source for the student actor to learn and practice the arts of the theater.

Call number: LD2668 .T4 1985 C65 / Master of Arts

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This study attempts to establish the fact that Whitman was a frequent attendant at the legitimate theatre and that throughout his life he had a vital concern for it. The nature and scope of Whitman's interest in the legitimate theatre has been examined in detail to show by specific reference to his works the probable effect of his theatrical interest.

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This dissertation examines the role of speech inflection in the composition of melodies of American musical theatre and investigates how composers approached speech inflection in their work throughout this genre's history. Through analysis of songs and interviews with composers, this dissertation investigates the relevance of speech inflection in the various styles of composition existing on Broadway. The main focus of musical theatre compositions, especially post Rodgers and Hammerstein's musical Oklahoma, is to move the plot along through songs. Therefore, the delivery of the text must be of ultimate consideration in the writing of modern musicals. A well-written speech-melody facilitates the process of a speech-melody-interpretation, which will result in the delivery of lyrics with an understandable, natural sounding quality. This investigation happens through a chronologic evaluation of the relevance of speech inflection during each of the distinct phases on Broadway, as well as an examination of the approach to writing with a speech-melody focus of each individual composer throughout history. This study explores the importance of speech inflection in American musical theatre songwriting focusing on a speech-melody approach to composition. / by Ana Flavia Zuim. / Vita. / Thesis (Ph.D.)--Florida Atlantic University, 2012. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2012. Mode of access: World Wide Web.