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Death takes a holiday: a comedy in three acts by Alberto Casella, rewritten for the American stage by Walter FerrisJohnson, Samuel R. January 1946 (has links)
No description available.
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The constant wife by W. Somerset MaughamMorehead, Hubert January 1946 (has links)
No description available.
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Facts and Dr. Faustus Be Damned: The Evolution of a Cultural IconWoolbert, Elizabeth Tyrrell January 2020 (has links)
No description available.
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Children of the moon by Martin FlavinJackson, Esther M. January 1946 (has links)
No description available.
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From Fact to FarceThe Reality Behind Bulgakov's Black SnowKahoa, Erin January 2015 (has links)
No description available.
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How should I act?: Shakespeare and the theatrical code of conductGarner, Ann E 01 January 2012 (has links)
This dissertation examines the intersection of English Renaissance drama and conduct literature. Current scholarship on this intersection usually interprets plays as illustrations of cultural behavioral norms who find their model and justification in courtly norms. In this dissertation, I argue that plays present behavioral norms that emerge from this nascent profession and that were thus influenced by this profession and the concerns of the people who worked in it, rather than by the court. To do so, I examine three behavioral norms that were important to courtiers, specifically Disguise, Moderation and Wit through the work of the English Renaissance theater's most celebrated professional, William Shakespeare. Shakespeare's plays evince a theatrical code of conduct that, rather than being an illustration of courtly norms, was sometimes in direct contrast to them and sometimes formed an alternate or lateral code. This code shows a distrust of disguise, a lack of interest in moderation and a belief in the need to eschew wit in favor of a happy ending. The modern theater has retained many of these essential behavioral norms, including the value of community above the self, the need for sympathy and compassion, and the willingness to risk.
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The Scenic Design for a Production of Legally Blonde the MusicalLentz, Cassandra Nicole 28 August 2019 (has links)
No description available.
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Costume Design and Production for Legally Blonde the Musical book by Heather Hach,Music and Lyrics by Nell Benjamin and Laurence O’KeefeNogar, Julianne K. 28 August 2019 (has links)
No description available.
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Artistic License or License to Kill? Reinterpretation as a Director's ToolCoon, Sarah M. 15 May 2012 (has links)
No description available.
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Resisting the Body Invasion: Critical Art Ensemble, Tactical Media, and the AudienceBrewster, Shelby Elizabeth 02 September 2015 (has links)
No description available.
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