Global ETD Search

21	American adaptations of French plays on the New York and Philadelphia stages from 1790 to 1833 Schoenberger, Harold William, January 1924 (has links) Thesis (Ph. D.)--University of Pennsylvania, 1924. / Bibliography: p. 93-98. Theater Theater French drama
22	Topeng in Bali change and continuity in a traditional drama genre / Young, Elizabeth Florence. January 1980 (has links) Thesis (Ph. D.)--University of California, San Diego, 1980. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 436-442). Theater Theater and society
23	Aggressive Tendenzen des Theaterpublikums eine Strukturell-funktionale Untersuchung über den sog. Theaterskandal anhand der Sozialverhältnisse der Goethezeit. Paul, Arno, January 1969 (has links) Diss.-Freie Universität Berlin. / Vita. Theater Theater audiences.
24	Theatre and cyberspace : the contribution of the theatrical past to performance of the future / LeNoir, Nina Marie, January 1999 (has links) Thesis (Ph. D.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 221-231). Available also in a digital version from Dissertation Abstracts. Theater Theater Acting
25	A director's mash-up of She Stoops to Conquer or the Mistakes of a Night by Oliver Goldsmith Clippard, Kristin 09 August 2013 (has links) <p> Abstract not available.</p> Theater\|Theater History
26	From monody to modernity\| An examination of the connection between early Baroque opera and contemporary musical theatre Miller, Lorin 25 July 2014 (has links) <p> Monody in musical dramatic presentations emanates from an early Baroque opera genesis and exists in multiple forms in the musical theater of today. By examining the Baroque characteristics of monody within the opera genre, a direct comparison between Monteverdi's opera <i>Orfeo</i> (1607) and Schönberg's musical <i>Les Miserables</i> (1985) can be established. This correlation becomes pronounced upon the exploration of four specific examples: through the implementation of recitative and aria, the interdependent use of duet and chorus with the solo voice, the innovative incorporation of atypical tonalities within the melodic line, and the inventive application of instrumentation to enhance vocal expression in each work. Just as Monteverdi designed his recitative to express the emotion of the libretto, so Schönberg composes dynamic, emotional songs to enhance the epic story of <i>Les Miserables.</i> Though composed centuries apart, both works employ similar melodic, rhythmic, harmonic and orchestral constructs, confirming a similar genesis.</p> Music\|Theater\|Theater History
27	Bringing down the house : the inevitable crisis in England's regional theatres, 1979-1997 / Turnbull, Olivia. January 2004 (has links) Thesis (Ph.D.)--Tufts University, 2004. / Adviser: Barbara Grossman. Submitted to the Dept. of Drama. Includes bibliographical references (leaves 385-393). Access restricted to members of the Tufts University community. Also available via the World Wide Web; Theater Theater and society Theater
28	Das bürgerlich-oppositionelle Zeittheater in der Weimarer Republik Schweckendiek, Birgit. January 1974 (has links) Thesis--Köln. / Includes bibliographical references (p. 179-184). Theater Theater and society. Theater
29	Text and performance : semiotic analysis for dramaturgy and the development of production concepts / Smith, Terry Donovan. January 1996 (has links) Thesis (Ph. D.)--University of Washington, 1996. / Vita. Includes bibliographical references (leaves [236]-248).
30	Study of anti-war plays produced in the New York professional theatre from World War I to World War II. Weisman, Martha. January 1967 (has links) Thesis (Ed.D.)--Teachers College, Columbia University, 1967. / Typescript; issued also on microfilm. Sponsor: Paul Kozelka. Dissertation Committee: Frederick D. Kershner, Jr. Includes bibliographical references. Drama Theater Theater

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