Thesis (Ph. D.)--University of Wisconsin--Madison, 1963. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (v. 1, leaves 341-347).

Thesis (M.S.)--University of Wisconsin--Madison, 1955 / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 134-138).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1958. / Typescript. Abstracted in Dissertation abstracts, v. 18 (1958) no. 3, p. 1049-1050. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 212-226).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. "List of papers published by Theodore W. Richards": leaves [333]-359. Includes bibliographical references (leaves [417]-427).

No description available.

Beginning in 1911 with Jennie Gerhardt and continuing through the publication of The "Genius" in 1915, all of Dreiser's major fiction is curiously marked by the same recurring narrative pattern. The pattern is always triangluar in construction and always contains the same three figures-- a vindictive and vengeful parent, outraged by an outisder's violation of personal and societal values; an enchanted offspring; and a disrupted outsider who threatens established order. In spite of each work's different characterization, setting, and episode, the narrative conflict invariably arises from the discovery of an illicit relationship between offspring and outsider, and the narrative climax involves a violent clash of wills, with victory sometimes going to the parent and sometimes to the outsider. The denouement is consistently sorrowful and pensive in tone, with a philosophical epilogue which speculates on man's melancholy and puzzling fate. As both a guide to personal therapy and a key to the work with which Dreiser established his artistic identity, the recurring narrative pattern is important. Its examination (1) illuminates an obscure period in Dreiser's life, (2) reveals his personality priorities as he turns the kaleidoscope of introspection to observe the Cudlipp crisis from various angles, and (3) offers to the discerning reader a reliable clue to the developing system of aesthetics of one of America's greatest artists.

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The purpose of this paper is to explain the events leading to and events of the attempted assassination of Theodore Roosevelt in Milwaukee, Wisconsin, October 14 , 1912. A comparison and contrast is made between information gained through the study of previously undiscovered primary sources and what has been accepted by and written about by historians . The background of the would- be- assassin and his motives in shooting Theodore Roosevelt have been investigated. The paper is divided into six major parts: Introduction, Nominating Conventions- -1912, Milwaukee, October-14, 1912, Elbert E. Martin , John F. Schrank and Conclusion.

No description available.

Thèse 3e cycle--Études anglophones--Aix-Marseille I, 1983. / Bibliogr. p. 373-399 . Index.