Includes bibliographical references. / In this paper I explore and explain the thinking and production process behind my Masters Degree creative production work for the University of Cape Town. I will be looking into the challenges I faced but also the logic according to which I worked. My project includes an e‐book called Thinking and Doing: content based audio and an audio documentary mini‐series There is a Human Being by the Side of the Road which consists of two parts called Woman and Man. This paper looks into the broad concept that all my submitted work relates to; the audio documentaries. Having explored many sides of documentaries in my e-book, in this paper, I am connecting some of those ideas together with my own production work and the existing academic literature relevant to my topics. I will also critically engage with both rather distinct aspects of my production; audio documentaries and the e‐book, and offer the logic behind my choice of licensing of all my work, before finally concluding this paper.

Includes bibliographical references. / Due to recent developments in digital video technology, the documentary film format is increasingly being used and adapted in unconventional ways, including in the illustration of research in academia and as an educational tool in corporate contexts. Generation Wine is a feature-length research documentary created by Gosia Podgorska and myself between 2012 and 2013 and submitted as a Master's in Media Creative Production at the University of Cape Town. The aim in creating the film was to use the documentary format as a research tool to investigate key contemporary marketing and media-related issues in the South African and French wine industries, and to ultimately communicate these research findings to academics, industry professionals and other interested parties in a highly engaging manner, thus demonstrating the effectiveness of the documentary format in research contexts. This paper serves as an explication to accompany the Generation Wine video, which uses the documentary as a departure point for discussing theoretical issues regarding the use of documentary film as a research tool, as well as the production process and wine industry-related content explored in the documentary.

Includes bibliographical references. / The eponymous collection of 64 photographs accompanying this text constitutes the creative research component of my M.A. in Media Theory & Practice. I chose to photograph the men (and to a lesser but nonetheless significant degree women) that we see being transported in bakkies and trucks on our roads on a daily basis, compiling a photographic essay engineered to provoke contemplation of current societal discrepancies.

Includes bibliographical references (leaves 20-21). / Documentary film, in the words of Linda Williams, always has the receding goal of finding 'some form of truth'. Yet documentary film as an art also blurs the notions of fact and fiction and runs the risk to construct reality rather than merely show it. This dissertation paper is a Reflective Essay supporting the documentary film 'Cape of German Hopes' and aims, with special references from the director's and editor's perspective, to back up the documentary by explaining more in depth about the motivation, goals and achievements of the film. The documentary is a journey that explores life experiences of German families and people of German heritage who settled in Cape Town. It uncovers how they seek to find a balance between their cultural heritage and the culture they are living in.

Includes abstract. / Includes bibliographical references. / This paper looks to delve into a rounded exploration of a queer cinematic culture in the post-apartheid era. Through an appreciation of South African cinematic history, the socio-political seems intertwined in the very fibre of this cinematic history; with factors such as race, class, wealth distribution, policy, legislation and conditions of production etc. playing an active role in shaping this history. Sexuality is another facet, in very subtle terms, which has contributed, influenced and scripted the historical make up and character of South African Cinema. I undertake to focus on the interplay between sexuality, cinema and history in an attempt to contextualise (for the purposes of this investigation) how strategies of representation are appropriated in a post-apartheid queer cinema.

The African growth story has investors from around the world eyeing opportunities offered up by the continent in the form of new markets, enhanced growth potential and impressive returns. Despite the overwhelmingly positive thrust of this message, it finds itself situated against a backdrop of serious challenges, not only in Africa, but also globally, in the face of increasing financial, political and natural-catastrophe risk. In this world of tremendous risk and tremendous opportunity, the insurance industry can provide post-disaster financing, financial security, institutional investment and innovative risk management strategies to reduce levels of risk on the ground. Launched earlier this year, the Principles for Sustainable Insurance are a framework for embedding environmental, social and governance factors into insurance business and so promoting sustainable development. This creative research project argues that a robust insurance industry promotes economic growth and that the parallel developments, in the story of African growth and the risk management practices of the insurance industry, present a compelling framework for nurtured and sustainable development in Africa.

Includes bibliographical references.

Includes bibliographical references.

In the early hours of 14 February 2013, the twittersphere erupted with the allegation that Oscar Pistorius, the Olympic and Paralympic athlete, had shot and killed his girlfriend of three months, Reeva Steenkamp. This story first appeared on the Beeld twitter account. This story was only confirmed by local print media such as the Cape Argus the following day, 15 February 2013, after his first court appearance during which he was charged with premeditated murder, a schedule 6 offence, according to South African law. The commencement of the bail application was postponed by Chief Magistrate Desmond Nair on 15 February 2013, so as to consider an application made by the media to be granted leave to broadcast the court proceedings live. In Magistrate Nair‟s judgement, that was handed down at noon the same day, he ruled against the media‟s broadcast application. However, he conceded that only the live audio of the bail application judgement could be broadcast ("Oscar faces murder…", 2013: 1). Additionally, the media was allowed to photograph the accused only in the presence of Magistrate Nair before the commencement of court proceedings, and once it had concluded for the day. This was the first formal assertion, and acknowledgement, of the role the media was to play in the „staging‟ of The Oscar Pistorius Murder Trial, with Pistorius cast as the protagonist and the media contingent as one of the antagonists of the narrative construction of this case. In an attempt to compensate for the lack of direct (live) media access to the proceedings, twitter was co-opted as the primary alternative news media platform. Journalists tweeted the live proceedings to their followers in order to provide mediated access to the proceedings. News24 lead the twitter reports by compiling a transcribed "live report" of the proceedings which would allow members of their audience an opportunity to follow a sequential account of the narrative. This was in addition to their usual journalistic reportage of the trial.

Includes bibliographical references (leaves 75-80). / This media dissertation researches the cell phone's actual and potential role as a multimedia tool of communication amongst South African youth and looks at how it can be used to platform youth stories for media and advertising. The youth's connection to the cell phone has come to mean so much more than its actual technological functions. This media dissertation investigates the cell phone phenomenon amongst the youth of today, by looking at both local and international trends, with a more intimate focus on the current trends amongst the South African youth. It will look at the sociology of the cell phone and the culture surrounding it. It will then consider new technology and how the cell phone's role may also be a tool for leapfrogging in South Africa. It is also important to consider the negative connotations that arise with the cell phone's infiltration amongst the youth.Through analysis of recent research about the cell phone's impact on the youth here and internationally, two opposing media directions are identified: the cell phone as a tool in marketing and advertising; and the cell phone as a tool in investigative journalism. By analyzing two different areas, this media dissertation creates a broad and holistic understanding of the cell phone's potential functions through a strong literature review. Firstly, the cell phone's function in marketing and advertising will be analyzed. This media dissertation will take into account the youth market in South Africa through a case study of one of South Africa's strategic consultancy companies: Instant Grass. Through a close look at the youth market now, it will be possible to create a greater understanding of the current trends and how to capitalize on these trends. In terms of marketing and advertising, this media dissertation then discusses an advertising exercise with a youth group studying Film and Media Studies at the University of Cape Town. Secondly, the cell phone in terms of media and investigative journalism will be analysed through fieldwork done with etv's 3rd Degree. This media dissertation looks at how the cell phone could be used as a tool for youth stories by looking at the parameters involved in creating investigative stories. This chapter also takes a look at the issue of citizen journalism in the digital publishing world today and the rate at which cell phone technology is spurring this development on.