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Tizian die zwei ersten Jahrzehnte seiner künstlerischen Entwichlung,Heinemann, Fritz, January 1928 (has links)
Inaug.-Diss.-München. / Lebenslauf. "Literaturverzeichnis": p. 85-86.
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La jeunesse de Titien ...Hourticq, Louis, January 1919 (has links)
Thèse--Universit́e de Paris.
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Die frühen Gemälde des Tizian eine stilkritische Untersuchung.Hetzer, Theodor, January 1920 (has links)
Inaug.-Diss. - Basel. / Vita. "Die dissertation erscheint gleichzeitig als buch mit unverändertem texte, aber unter hinzufügung von 30 abbildungen."
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Poetry and painting in the time of GiorgioneHolberton, Paul Robert Joseph January 1989 (has links)
No description available.
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Female duality and Petrarchan ideals in Titian's Sacred and profane loveKaercher, Julianne C. January 2009 (has links)
Thesis (M.A.)--Bowling Green State University, 2009. / Document formatted into pages; contains v, 39 p. : col. ill. Includes bibliographical references.
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RETHINKING THE RENAISSANCE COURTESAN: CONTEMPORARY INTERPRETATION OF THREE PAINTINGS BY TITIAN (TIZIANO VECELLIO, c 1485-1576)YELLIG, CATHERINE L. 02 July 2007 (has links)
No description available.
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Studies on the sources and documents relating to the life and work of TitianHope, Charles January 1975 (has links)
No description available.
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'England's Giorgione' Charles H. Shannon and Venetianism in late Victorian art /McKeown, William Carlisle. Weingarden, Lauren S., January 2005 (has links)
Thesis (Ph. D.)--Florida State University, 2005. / Advisor: Dr. Lauren S. Weingarden, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 7, 2005). Document formatted into pages; contains xviii, 294 pages. Includes bibliographical references.
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The Venetian Paragone: A Study of Titian’s Five “Venus and Musician” PaintingsBougher, Heather A. 25 May 2021 (has links)
No description available.
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Female Duality and Petrarchan Ideals in Titian's Sacred And Profane LoveKaercher, Julianne C. 05 April 2009 (has links)
No description available.
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