Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-01T19:33:09Z No. of bitstreams: 1 DoraUtermohlDeQueiroz_DISSERT.pdf: 1749672 bytes, checksum: cde6a7dbb81b3489c269147422a1dc4b (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-06T23:42:55Z (GMT) No. of bitstreams: 1 DoraUtermohlDeQueiroz_DISSERT.pdf: 1749672 bytes, checksum: cde6a7dbb81b3489c269147422a1dc4b (MD5) / Made available in DSpace on 2016-04-06T23:42:55Z (GMT). No. of bitstreams: 1 DoraUtermohlDeQueiroz_DISSERT.pdf: 1749672 bytes, checksum: cde6a7dbb81b3489c269147422a1dc4b (MD5) Previous issue date: 2015-06-12 / Este trabalho aborda os desafios t?cnicos e interpretativos da obra Tra?ado ?ntimo e Hesitante de Bruno Angelo, al?m da import?ncia de envolver a m?sica contempor?nea e as t?cnicas estendidas na inicia??o ao violoncelo, utilizando alguns materiais derivados da pe?a. O objetivo desta pesquisa ? proporcionar aos violoncelistas sugest?es para a solu??o dos problemas apresentados na pe?a e em obras que utilizem t?cnicas semelhantes, assim como incentivar a utiliza??o de materiais sonoros da m?sica contempor?nea com alunos iniciantes. / This works sheds light on the technical challenges regarding the use of extended techniques at the piece ?Tra?ado ?ntimo e Hesitante? by Bruno Angelo and the use of some of these techniques in the cello initiation. The main goal of the research is to provide cellists interested in the performance of the piece with ideas to surpass the technical difficulties as well as to introduce new ideas of using sound materials of contemporary music in the beginner cello teaching.