Thesis (Ph. D.)--University of Wisconsin--Madison, 1928. / Typescript. The second of two works contained in Ms. 10801, Biblioteca Nacional, Madrid. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (prelim. leaves 69-71).

Thesis--University of Wisconsin. / At head of title: Junta para ampliación de estudios.--Centro de estudios históricos. "El texto de las Sumas de Leomarte, que hoy editamos por primera vez, se conserva en dos manuscritos, ambos de la Biblioteca nacional de Madrid ... manuscrito 9256 (antiguo Bb-100) ... [y] manuscrito 6419 (antiguo S-30)." Without thesis note. "Bibliografia": p. 51-55. "Obras utilizadas en el vocabulario": p.56-57.

Thesis (Ph. D.)--University of Chicago, 1900. / Includes bibliographical references (p. 7-10). Also available on the Internet.

Texte remanié de : Thèse de doctorat : ? : University of Tübingen : 1997. / Based on the author's PhD thesis submitted at the Faculty of Geosciences (University of Tübingen) in June 1997. Bibliogr. p. 113-124.

This dissertation argues that Homer's Iliad depicts the Trojan landscape as participant in or even victim of the Trojan War. This representation alludes to extra-Homeric accounts of the origins of the Trojan War in which Zeus plans the war to relieve the earth of the burden of human overpopulation. In these myths, overpopulation is the result of struggle among the gods for divine kingship. Through this allusion, the Iliad places itself within a framework of theogonic myth, depicting the Trojan War as an essential step in separating the world of gods and the world of men, and making Zeus’ position as the father of gods and men stable and secure. The Introduction covers the mythological background to which the Iliad alludes through an examination of extra-Homeric accounts of the Trojan War’s origins. Chapter One analyzes a pair of similes at Iliad 2.780-85 that compare the Akhaian army to Typhoeus, suggesting that the Trojan War is a conflict similar to Typhoeus’ attempt to usurp Zeus’ position as king of gods and men. Chapter Two demonstrates how Trojan characters are closely linked with the landscape in the poem’s first extended battle scene (4.422-6.35); the deaths of these men are a symbolic killing of the land they defend. Chapter Three discusses the aristeia of Diomedes in Book 5, where his confrontations with Aphrodite, Ares, and Apollo illustrate the heroic tendency to disrespect the status difference between gods and men. Athena’s authorization of Diomedes’ actions reveals the existence of strife among the Olympian gods, which threatens to destabilize the divine hierarchy. Chapter Four examines the Akhaian wall whose eventual destruction is recounted at the beginning of Book 12. The wall symbolizes human impiety and its destruction is a figurative fulfillment of Zeus’ plan to relieve the earth of the burden of unruly humanity. Finally, Chapter Five treats the flußkampf and Theomachy of Books 20 and 21, episodes adapting scenes of divine combat typically associated with the struggle for divine kingship. In the Iliad, these scenes show that Zeus’ power is unassailable. / text

Thesis (Ph. D.)--University of Zurich, 1997. / Includes glossary. Includes bibliographical references (p. [925]-942) and index.

Thesis (Ph. D.)--University of Zurich, 1997. / Includes glossary. Includes bibliographical references (p. [925]-942) and index.

Thesis (Ph. D.)--Columbia University, 1940. / Vita. eContent provider-neutral record in process. Description based on print version record. "List of abbreviations and bibliography": p. [79]-81.

Thesis (Ph. D.)--Johns Hopkins University, 1899. / Life.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1966. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.