The present project explores the narrative construction of masculinities, violence, and nationalism in three U.S.-Mexico borderland novels written by U.S., Mexican, and Mexican-American writers: Caballero (1930s-40s, pub.1996) by Jovita González and Eve Raleigh; Blood Meridian (1985) by Cormac McCarthy; and Texas: La gran ladronería en el lejano norte (2012) by Carmen Boullosa. Through the scope of masculinity, gender, and (post)colonial studies, this project examines how these authors incorporate hegemonic masculine archetypes and their attendant forms of violence (physical, economic, and epistemic) so as to interrogate claims to identity and national belonging along the Texas-Mexico border, against the backdrop of war and U.S. imperialism. In their roles as builders and/or defenders of an expanding nation-state, the male characters studied here enact distinct forms of violence in order to normalize their positions of power and further encode their claims to political and cultural hegemony. Considered together, the texts studied here demonstrate how the intersection of nationalism, masculinity construction, and particular forms of violence converge within an Anglo hegemonic masculinity to the detriment of Mexicans, non-white borderland individuals, and women--all of whom stand at the periphery of this imagined national (male) community.