This study documents the performing and teaching career of Armando Ghitalla (1925-2001), and describes his pedagogical approach with an emphasis on understanding his approach to teaching embouchure. It includes as appendices a comprehensive discography of his solo, chamber, and orchestral recordings, a listing of his solo performances with the Boston Symphony Orchestra, a selected list of former students, and copies of his advanced flexibility and transposition studies.The personal interview served as the primary source of data for this study. The subject, Armando Ghitalla, participated in an in-depth interview with the author which was recorded and transcribed. Subsequent data was gathered from former students through the use of an open-ended questionnaire. Follow-up interviews were held with several of the respondents. Previously published articles, interviews, reviews, and an unpublished recording of a trumpet clinic were also consulted.Ghitalla was a member of the Boston Symphony Orchestra for twenty-eight years, serving as solo trumpet of the Boston Pops Orchestra from 1951-1965 and principal trumpet of the Boston Symphony Orchestra from 1965-1979. He was active as a virtuoso trumpet soloist and had a distinguished career as a trumpet professor following his retirement from the Boston Symphony. His success as an orchestral performer, solo performer, and noted pedagogue distinguish him from many of his contemporaries. / School of Music

Life for nineteenth century American women was full of restrictions and limitations. Frowned upon or simply not permitted to enter "male" spheres of activity such as professions, business and politics, many middle class women turned to philanthropy and reform work as the sole acceptable outlet for their energy, talents, and time. American Jews of German descent adopted the "Victorian ideal of womanhood" popular in the United States at this time, propelling many German-Jewish women to engage in charitable Zionist activity despite the general lack of support for Zionism in America earlier in this century. Among this group of bourgeois German-Jewish women involved in American Zionism was a poet, Jessie Ethel Sampter, whose contributions to the movement far exceeded those of the norm. Despite her limited Jewish education and upbringing, and extreme physical limitations, Sampter emerged as a pioneer feminist and Zionist, both in America and in her adopted country, Palestine.

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Psychobiographical researchers methodically formulate life histories and interpret them by means of psychological theories. The research typically focuses on exemplary and completed lives. The cases that are studied are usually of individuals who are of particular interest to society as a result of excelling in their particular fields, be they to benefit or detriment of society. Temple Grandin was chosen for this study using purposive sampling as she meets the psychobiographical requirement of being an extraordinary individual. As an individual with autism Grandin faced many challenges growing up. Despite a difficult and absent beginning, Grandin developed into a stable and scientifically creative adult who contributes to society. She excels as an animal scientist and designer of humane livestock handling facilities and has an international reputation for her contribution to the livestock industry and animal welfare. The primary aim of this study is to describe and interpret the life of Temple Grandin through Erikson’s (1950/1973) theory of psychosocial development. A mixed method approach (Yin, 2006) was employed for the conduction of this study. The overarching data processing and analysis guidelines for this study were provided by Miles and Huberman (1994, 2002a, 2002b). The conduction of the processing and analysis of data was aided by Alexander’s (1988, 1990) method of asking the data questions as well as an integration of Yin’s (2014) time series analysis with Erikson’s (1950/1973) triple bookkeeping approach. This study contributes to the development of psychobiographical research in South Africa as well as to personality and developmental theory.

When I was thirty-three years old, I discovered I was an adoptee. In this memoir of secrecy and love, betrayal and redemption, I reflect on my early experiences as a doted-on only child firmly rooted in the abundant love of my adoptive family, my later struggles with depression and obsessive-compulsive disorder, my marriage to a fellow-adoptee, my discovery of my own adoption and the subsequent reunion with my birth family, my navigation through the thrills and tensions of newly complicated family dynamics, and my witness to God's perfect timing through it all.

Includes bibliographical references (leaves 350-359). Investigates the influence of Coltrane's music on the improvising of post-Coltrane saxophonists by inspecting selected improvisations of Jerry Bergonzi and David Liebman and comparing them to improvisations by Coltrane on the same repertoire piece. The comparision also demonstrates how two current jazz saxophonists have drawn on the past - the legacy of Coltrane - to create innovative music in the present.

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