The focus of this dissertation is a comparative study of Ingrid Winterbach's Die boek van toeval en toeverlaat (2006) [The Book of Happenstance (2008)] and Etienne van Heerden's Asbesmiddag (2007) [Asbestos Afternoon] within an intertextual and socio-political framework. Both novels show strong links to the literary traditions of which they form part through a high degree of intertextuality with literary predecessors (intertexts from Afrikaans and South African English literature, but also classical intertexts emanating from the larger field of world literature). Both texts exhibit an overt metatextual consciousness. The protagonists in each of these novels are portrayed as novelists. One of the main aims of the study is to interrogate the implied ideological perspectives in both novels - the nature and extent of the reflection of the current South African socio-political system. Winterbach and Van Heerden‘s texts may both be read as fictionalised forms of "protest" against the extrinsic South African socio-political order. These forms of protest focus on the inevitable change from one stage/era to the next, the old South Africa to the new, in a quest for artistic (creative writing and literature) and cultural (Afrikaner identity and language) survival. Die boek van toeval en toeverlaat (2006) and Asbesmiddag (2007) contribute to contemporary discourse by offering implied ideological insights into specific socio-political and metatextual phenomena. This is done in fictional guise - through the characters populating the fictional world of the novel, and also through the authors' implied ideological views. Both novels are intensely concerned with language issues, as well as the status of literature as cultural product. On the metatextual level theoretical issues concerning literature are in the focus, such as the precarious position of the novelist (and the academic) in contemporary South African society, and the status of literature and Afrikaans as a minority language. The purpose of this comparative study is to look at the metatextual, ideological and linguistic aspects of the novels through an extensive intertextual study, in order to interrogate and illustrate the socio-political discourse embedded in them.