Published in part as author's inaugural dissertation, University of Munich, 1899 (32 p.).

Published in part as author's inaugural dissertation, University of Munich, 1899 (32 p.). / Lebenslauf. Includes bibliographical references.

Thesis (Ph. D.)--Rheinische Friedrich-Wilhelms-Universität, Bonn., 1896. / Cover title. Filmed with: Keck, Emil / Ueber die Lebensweisheit Koheleths u. Horaz' -- Kannengiesser, Adolf / De Lucretii versibus transpondendis -- Kok, Adrianus Gerardus / Dissertatio literaria exhibens quaestiones Plutarcheas -- Loercher, Adolf / De compositione et fonte libri Ciceronis, qui est De fato -- Lundburg, Karl August / De ratione Herodotea praepositionibus utendi a scriptoribus atticis diversa -- Kaemper, J.L.C. / Commentarius in Persi Satiram VI -- Lugge, Georg / Quomodo Euripides in Supplicibus tempora sua respexerit -- Koehler, Wilhelm / Personifikation abstrakter Begriffe auf Römischen Münzen : vorläufiger Teil -- Koenig, Christoph Gottfried Samuel / Specimen interpretandi Platonis dialogi qui Crito inscribitur -- Illek, Franz / Ueber den Gebrauch der Präpositionen bei Hesiod : I. Theil -- Lunyak, Ivan Ivanovich / De paricidii vocis origine -- Lobeck, Christian August / De vocabulorum Graecorum parathesi : dissertatio tertia -- Kapp, Alexander / De Platonis re gymnastica -- Hermann, Gottfried / De legibus quibusdam subtilioribus sermonis Homerici : dissertatio prima -- Lucas, Karl Wilhelm / Observationum in difficiliora quaedam Cratini aliorumque comicorum Graecorum fragmenta : specimen alterum -- Lucas, Karl Wilhelm / De voce Homerica polypaipalos aliisque cognatis vocabulis : observationes philologicae -- Lücke, Otto / Bürgers Homerübersetzung -- Kausch, Eduard / Quatenus Hesiodi elocutio ab exemplo Homeri pendeat -- Keck, Karl Heinrich Christian / Der theologische Charakter des Zeus in Aeschylos' Prometheustrilogie -- Karbaum, Hermann / De origine exemplorum, quae ex Ciceronis scriptis a Charisio, Diomede, Arusiano Messio, Prisciano Caesariensi, aliis grammaticis Latinis allata sunt -- Kaufmann, Nicolaus / Die teleologische Naturphilosophie des Aristoteles und ihre Bedeutung in der Gegenwart -- Kappe, Friedrich / Der Bekker'sche Paraphrast der Ilias und seine Bedeutung für die Textkritik -- Kapff, Sixt Franz Alexander / Die poëtische Sprache der griechischen Tragiker zunächst im Anschluss an des Euripides Iphigenie in Tauris -- Karstens, Johann / De infinitivi usu Aeschyleo. Includes bibliographical references.

Inaug.-Diss.--Munich. / Vita.

Thesis--Basel. / Without thesis statement. Bibliographical footnotes.

No description available.

Revision of the author's thesis, Freiburg i. B., 1960, originally issued under title: Sagendarstellungen auf korinthischen und attischen Vasen. / Includes bibliographical references.

Published in part as author's inaugural dissertation, University of Munich, 1899 (32 p.).

This dissertation presents, for the first time, a freestanding account of notions of time and temporality as seen in the visual arts of the late Archaic and Classical Greece and contextualizes it within the larger cultural history of time. There is a growing consensus among scholars regarding a societal shift in fifth-century Greek attitudes towards time, from the authority of the past to the uncertainties and the immediacy of the present. This dissertation explores such changing notions of time in the visual tradition in four different ways: firstly through the personification of the key notion of kairos, which embodies on many levels the manifestation of this new temporality; secondly by investigating the emergent interest of the "historical present" in the artistic subject matter of the so-called Historienbilder; thirdly through a detailed investigation of new pictorial strategies in Greek vase painting that carry specific temporal attributes, by focusing on the motifs of jumping, lifting and dropping; and lastly, by dissecting the anatomy of the popular motif of "erotic pursuits" in vase painting, which embodies the sensory nature of this new temporality that hinges upon the notion of suspense and delay. These investigations employ a new phenomenological framework that centers on the "embodied viewer", connecting the temporality as understood by the viewer with that which is portrayed in the object, bringing together the visible temporality in art and the experienced temporality of the society, which the viewer inhabits. This framework is first sketched out by offering a phenomenological reading of a full 3-D digital reconstruction of the Lysippan Kairos. Such changes in the notion of time in the visual arts, seen as early as the late sixth century BCE and fully manifest in the Classical period, is also put into relief by a brief examination of analogous literary techniques, with a focus on the case of Aeschylus.

No description available.