<p>Pages 22 and 156 have no text in the original hard copy other than the title at the top and the page number.</p> / <p>This dissertation undertakes an analysis of the two concluding books of the Sanskrit <em>Mahābhārata</em> or "Great Epic of India." Although the <em>Mahābhārata</em> is traditionally understood as a <em>smrti</em> or "remembered" work in contradistinction to the Vedic corpus of "heard" (<em>śruti</em>) scripture, I argue in this thesis that we can best understand the content and configuration of the<em> Māhābhārata</em>'s two final books by reading them against a background of Vedic ritual and myth. Adopting this hermeneutical approach, I treat the two key narrative issues which we find developed at the <em>Mahābhārata'</em>s conclusion: the manner in which the poem's principal characters die (chapters two and three of the thesis), and the account of their afterlife fates (chapter four of the thesis). In chapter two I argue that a Vedic ritual called the<em> yātsattra</em> helped to shape the substance and sequence of the narrative account of the epic heroes' deaths. In chapter three I pursue this issue further, arguing that, as elsewhere in the<em> Mahābhārata,</em> the <em>yātsuttra</em> in Books 17 and 18 is tied to the later ritual institution of circumambulatory pilgrimage or <em>tīrthayātrā</em>, a rite also figuring in the account of the characters' deaths. In treating the second narrative issue in chapter four, I examine the backdrop of Vedic myth which underlies the narrative of the entire <em>Mahābhārata</em>, and which is restated at the conclusion of the poem. As in chapters two and three, I argue that in order to understand the <em>Muhābhāratu</em>'s final scenes, we must appreciate the extent to which the poem has been fashioned against the paradigm of the Veda and its ritual and mythic world.</p> / Doctor of Philosophy (PhD)