Thesis (M.A.)--Pennsylvania State University, 2008. / Mode of access: World Wide Web.

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Thesis (Ph. D.)--University of Notre Dame, 2004. / Thesis directed by Philip E. Mirowski for the Department of Economics. "December 2004." Includes bibliographical references (leaves 268-301).

Thesis (M.A.)--Boston University / The theories ot empathy in the visual aesthetic experience as propound by Theodor Lipps, Vernon Lee and Hugo Munsterberg attempt to explain cognition ar qualities that do nat correspond to any specific sensations due to an object, but are nevertheless attributed to the object just as the specific sensations (e.g. of red or blue) are attributed to it. Pleasure felt as a result of experiencing the aesthetic object is not felt as occurring in the observer's body but as tied up with the object. The empathists discussed haw different explanations for the way that this attribution ot what seem to be "illusory qualities" is achieved. For Theodor Lipps empathy is a more complex process than it is for the other empathists. According to his view the observer, on one hand, participates in the life and activity of the object, and, on the other hand, attributes these "illusory" qualities to the object. [TRUNCATED]

Vernon Lushington (1832-1912) was a leading Positivist and disciple of Comte's Religion of Humanity. In The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain T.R. Wright observed that "the inner struggles of many of [Comte's] English disciples, so amply documented in their note books, letters, and diaries, have not so far received the close sympathetic treatment they deserve". Material from a previously little known and un-researched archive of the Lushington family now makes possible such a study. After a childhood influenced by the values of the Clapham Sect, Lushington went to Cambridge where he came under the spell of Thomas Carlyle, for whom he worked for a period as an unpaid secretary, and then Auguste Comte whose Religion of Humanity finally replaced any lingering orthodox Christian faith. At Cambridge Lushington mixed with leading Christian Socialists and worked as a tutor at the Working Men's College alongside Ruskin and D.G. Rossetti. Other friends included William Morris and Edward Burne-Jones who Lushington later introduced to Rossetti, an event which triggered the second phase of the Pre-Raphaelite movement, The altruistic Lushington used his legal skills to assist struggling trade union leaders consolidate their cause and his concern for the working classes led him to co-operate with Elizabeth Gaskell in raising funds to assist the struggling Manchester cotton operatives. It was as a Positivist that Lushington wished to be remembered. This thesis considers the attraction of Positivism for Lushington and his place in its development and spread during the second half of the nineteenth century. Specific areas covered are Lushington's childhood influences, his university life, his relationship with Carlyle and his adoption of Positivism. The thesis then turns to consider how Lushington outworked his new beliefs first in his public life - especially in the area of the Arts, and in then in his domestic role where his enthusiastic embrace of the Religion of Humanity placed severe strains on his marriage.

The Okanagan Valley is an important agricultural area in south-central British Columbia. Due to the low annual precipitation and a high rate of evapotranspiration, irrigation is necessary for the production of most crops. Since water shortage problems in the valley are likely to arise in the future, since irrigation accounts for over 90% of the consumptive use of water in the valley, and since data on the actual irrigation operation is sparse, a detailed study was made of one district. Vernon Irrigation District, the largest district in the Okanagan Basin, was selected for detailed study. Its distribution system has recently been modernized. The history of the development of the district is outlined and the old system and the way in which it operated are described. The reasons for selection of the new system, the criteria used in its design, and the way in which the new system now operates are described. Particular attention is paid to scheduling—the timing of the application of water to the crops—since this offers one of the best opportunities for the conservation of water in the future. Minor conflicts with other users of the water resource are identified and suggestions given for minimizing such conflicts. / Applied Science, Faculty of / Civil Engineering, Department of / Graduate

Throughout British decadent literature, authors creatively experiment with religion. While part of this experimentation is a matter of how authors represent religious subjects or syncretized religious traditions, a much more foundational level of this experimentation seeks to redefine “the religious” altogether. Collectively, the authors in this study seek to redefine “religion” as focused around community, ritual, and aestheticism over creed or dogma. This new definition resonates with the way many twentieth-century sociologist, theologians, and psychoanalytic theorists have discussed the nature and role of religion in Western society, and I rely on these thinkers throughout my methodology. Also central to my methodology is my suggestion that the primary lens through which critics often read British decadence is the lens of experimentation and redefinition. It has been well established that British decadents creatively experimented with their representations of gender and sexuality, their use of genre, and their incorporation of Western philosophy, yet their treatment of religion—specifically the Western religious traditions which appear in their works—has been largely unexamined. This project argues that the British decadent authors’ creative treatment of religion is central to their works and to their broader experimental project. In my first chapter, I suggest that the experimental work that Pater does with philosophy, art theory, and genre has its roots in the experimental work he does with religion. Pater espouses a syncretic approach to religion which sees Christianity as the most recent, and most evolved, link in a series of conversant religious and philosophical traditions. At the same time, he opposes the institutionalization of religion as well as any violence that might take place in its name. In my second chapter, I claim that Oscar Wilde’s destabilization of language—separating words from their denotative meanings—lays the groundwork for his separation of religious ideology from the aesthetic and communal elements of religion. My third chapter argues that decadent religion, as imagined by Pater and Wilde, was not always easily integrated into religious life. I suggest that the sadomasochistic imagery seen throughout some of Francis Thompson’s works signifies a larger conflict between his attraction to decadence and his devotion to Catholicism. In the final chapter, I consider Vernon Lee, a woman writer who spent much of her life in Continental Europe. I claim that her position on the fringes of British, male, decadent society allowed her a unique vantage point, from which she repeatedly examined the decadent religious project even as she valued a secular, moral humanism over that project.

Thesis (B.S.)--University of Wisconsin -- La Crosse, 2008. / Also available online. Includes bibliographical references (leaf [41]).

Thesis--Wisconsin. / Vita. Includes bibliographical references.

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