Texte remanié de: Tesi di dottorato--Università di Milano, 2001. / Bibliogr. p. 345-378.

Inaug.-Diss.--Bern. / Lebenslauf. "Bücherverzeichnis": p. 222-224.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1983. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves, 317-338).

Thesis--Catholic University of America. / Bibliography: p. 156-159.

Thesis--Catholic University of America. / Bibliography: p. 156-159.

Texte remanié de: Dissertation Ph. D.--Committee on social thought--University of Chicago, 1981. / Notes bibliogr.

Thesis (Ph.D.)--York University, 2007. Graduate Programme in Sociology. / Typescript. Includes bibliographical references (leaves 324-342). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR32043

Diss.--Fachbereich Philosophie/Pädagogik--Mainz--Johannes Gutenberg-Universität, 1988.

Thesis (Ph. D.)--Columbia University, 1937. / Vita. Bibliography: p. 225-238.

Thesis (Ph.D.)--Boston University / The object of this study is to examine the principle works of Giambattista Vico (1668-1744), to establish him as a philosopher and theorist of romanticism and to what extent his theories were incorporated in the theories of the French romanticists, especially between the years 1827-1830. Vico posed the basic principles of romanticism by starting with a rejection of Cartesian principles and the classical standards and taste imposed by Aristotle and the Italian classicists. He insisted that history is organic, possessing its peculiar form of evolution and its own laws, as is literature, which reflects the history of the individual and societies. Vico maintained that poetic creativity is primarily intuitive rather than rational. The primitive poet's rich sensory imagination, unique fount of his lyrical creativity, diminished as his rational faculties developed, with a consequent loss of his power to create sublime poetry [TRUNCATED]