Thesis (D.M.A.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 128-131). Available also in a digital version from Dissertation Abstracts.

Thesis (Ph. D.)--University of Texas at Austin, 2003. / Supervisor: Andrew Dell'Antonio. Vita. Includes bibliographical references. Available also from UMI Company.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1961. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Chicago, Department of Music, December 2000. / Includes bibliographical references. Also available on the Internet.

System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 19, 1999, Sept. 26, 2002, and Apr. 25, 2003. Includes bibliographical references (p. 49-50).

Thesis--University of Southern California. / Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1978. -- 2 v. ; 21-27 cm. Bibliography: v.1, leaves 269-294.

Thesis (Ph. D.)--Texas Tech University, 2002. / Includes bibliographical references (leaves 151-153).

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2016-03-09T11:43:28Z No. of bitstreams: 3 Dissertação - Luciana Elisa Lozada Tenorio - 2013.pdf: 6025390 bytes, checksum: c85e7992dba08a147175d72bc0d1e33e (MD5) Anexos - Dissertação - Luciana Elisa Lozada Tenorio - 2013.pdf: 6073144 bytes, checksum: 5d694306bce845968feba1c999455ec2 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-03-10T11:34:50Z (GMT) No. of bitstreams: 3 Dissertação - Luciana Elisa Lozada Tenorio - 2013.pdf: 6025390 bytes, checksum: c85e7992dba08a147175d72bc0d1e33e (MD5) Anexos - Dissertação - Luciana Elisa Lozada Tenorio - 2013.pdf: 6073144 bytes, checksum: 5d694306bce845968feba1c999455ec2 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-03-10T11:34:50Z (GMT). No. of bitstreams: 3 Dissertação - Luciana Elisa Lozada Tenorio - 2013.pdf: 6025390 bytes, checksum: c85e7992dba08a147175d72bc0d1e33e (MD5) Anexos - Dissertação - Luciana Elisa Lozada Tenorio - 2013.pdf: 6073144 bytes, checksum: 5d694306bce845968feba1c999455ec2 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2013-03-27 / This article is the result of the investigative work on the methods and criteria regarding XVI centry single voice and vihuela villancicos transcripts. The data was obtnaied through the bilbiographic research of articles, dissertations, Juan Bermudo's treatise on the subject (1555) and the comparative analysis of then villancicos transcriptions dated from the XVI century. The main goal in this project is to apply the studied procedures in transcribing eight villancicos form the Cancionero de Upsala for guitar single-voice, confirming that the knowledge gained through the study of past methods and procedures are applicable to contemporany music perfomance. The core of the work consistis of a study on the history and characteristics of the villancicos; a contextualization on the Italian, French, German, Englihs and Spanish transcribing methods for works regarding plucked string instruments and voice; a detailed analysis on Spanish transcription procedures of sixteenth century and the application of those methods on eight villancicos for voice and guitar. / O presente trabalho pretende investigar e registrar critérios e procedimentos de transcrição de villancicos para uma voz e vihuela utilizados no século XVI, por meio da análise bibliográfica do quarto livro, intitulado "De tañer vihuela",contido no tratado "Declaración de instrumentos musicales" (1555) de Juan Bermudo, além do estudo de artigos e dissertações, assim como da análise comparativa de dez entabulações de villancicos realizados na época e suas respectativas fontes vocais. O objetivo principal desta pesquisa consiste na aplicação destes procedimentos na transcrição de oito villancicos do Cancionero de Upsala para uma voz e violão, consubstanciando a assertiva de que os conhecimentos adquiridos através da investigação musicológica atuam como esteio à performance musical da contemporaneidade. O trabalho consta de um estudo sobre a história e características do villancico; uma contextualização sobre o processo de entabulação para uma voz e instrumento de cordas dedilhadas na Itália, Inglaterra, Alemanha, França e Espanha; uma análise dos procedimentos utilizados na entabulação de villancicos; na Espanha, século XVI e finalmente uma exposição e justificativa dos procedimentos de transcrição aplicados em oito villancicos para uma voz e violão.

Santa Eulalia M. Md. 7, dated January 20, 1600, is part of the San Miguel Acatán Repertory, which originated in the northwestern highlands of Guatemala and is presently owned by the Lilly Library of Indiana University. The manuscript contains thirty-four four-part songs and dances, two thirds of which are villancicos for Christmas, Easter, the Eucharist, and the feasts of All Saints and St. Michael. The remaining third consists of Latin biblical texts in either fabordón or contrapuntal settings, three pieces with Náhuatl texts, and an instrumental pavana. The thesis contains a modern edition of Santa Eulalia M. Md. 7 with critical notes and commentary, a comparison of the pieces with villancicos and fabordones of European origin, and a survey of several aspects of Mayan culture.

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