Prelude and scherzo / P. Jeanjean -- Sonata in D major, op.78 / J. Brahms -- Vier letzte Lieder (1948) / R. Strauss. / text

Bie Mannern, welche Liebe fuhlen from Die Zauberflote / W. A. Mozart -- Seven variations on Bei Mannern, welche Liebe fuhlen / L. v. Beethoven -- Sonata for bassoon and piano / A. G. Previn -- Sonata for cello and piano in G minor, op.19 / S. Rachmaninoff. / text

Thesis (D.M.A.)--University of Rochester, 2000.

Thesis (D. Mus. Arts.)--University of Washington, 2000. / Vita. Includes bibliographical references (leaves 168-172).

Thesis (M. Mus.)--University of Wisconsin--Madison, 1950. / For 2 violins, violoncello, and piano. Holograph.

Thesis (D.M.A.)--University of Wisconsin--Madison, 1994. / Duration: 12:19. Typescript. Includes performance notes. eContent provider-neutral record in process. Description based on print version record.

Brian D. Hodges' thesis (D.M.A.)--University of North Carolina at Greensboro, 2007. / Title from PDF t.p. (viewed Oct. 22, 2007). Directed by John M. Fadial; submitted to the School of Music. Transcription includes cello part only. Includes bibliographical references (p. 34-37).

The Czech composer Paul Wranitzky (1756–1808) worked primarily in Vienna during the height of musical Classicism. He was well-respected among the higher artistic circles during his day as a composer, violinist, and conductor. His excellence in conducting was recognized by Haydn and Beethoven. His compositions were favored by Empress Marie Therese. Despite his contemporary fame and esteem, his works are relatively unknown today. His works are being revived today, bringing these once popular compositions back to the public. This thesis presents a critical edition of Wranitzky's cello concerto in C Major, appearing for the first time in a scholarly edition. This will allow for its study and performance, and allow musicologists to determine Wranitzky's influence on Viennese string and orchestral music.

This selective investigation of contemporary solo violoncello works written between 1980 and 2010 consists of 1075 works, listed in alphabetical order of country and in alphabetical order of composers of each relevant country. Due to the extensive nature of this field, this research only includes works by composers from eight European countries (Austria, Belgium, France, Germany, Italy, Netherlands, Spain and the United Kingdom), as well as Australia, Canada, New Zealand and South Africa. In my considered opinion, the European countries that have been selected are those with a very high musical culture and where composers are very active in this field. The musical life of the United States of America is so huge that it deserves a study of its own. Relevant information of each entry are added, including the approximate duration of each piece, the dedicatee, dates of first performances, recordings and addresses of websites of individual composers. The catalogue is followed by two appendices: one that lists the dedicatee in alphabetical order and the other that lists the works by their approximate duration. The study did not aim to examine the qualitative merits of every piece listed. The catalogue only includes original works for solo violoncello, and music exclusively written for beginner and intermediate levels has not been included. Works written for violoncello and piano, violoncello and orchestra and an amplified violoncello together with tape or electronic accompaniment are not included in this catalogue. These are subjects for further investigation and catalogue compilation. / Thesis (DMus)--University of Pretoria, 2013. / gm2014 / Music / unrestricted

Thesis (D. Mus. Arts)--University of Washington, 2002. / Vita.