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The Italian secular vocal works of Jacquet BerchemHall, Dale E. Berchem, Jachet de, January 1973 (has links)
Thesis--Ohio State University. / Vita. Vol.2 includes transcriptions of thirty-seven madrigals of Jacquet Berchem. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1979. -- 20 cm. Bibliography: leaves 363-369.
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A history of the cadence in polyphonic vocal music through the fifteenth centuryYates, Hadley, January 1962 (has links)
Thesis (Ph.D.)--Indiana University, 1962. / Bibliography: leaves 252-257.
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Tune identity and compositional process in Zhongbei songs a semiotic analysis of nanguan vocal music /Wang, Ying-Fen. January 1900 (has links)
Thesis (Ph. D.)--University of Pittsburgh, 1992. / Includes bibliographical references (p. 369-382).
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Dualistic relationships in northern Chinese narrative artsFerguson, Francesca Christina, January 1988 (has links)
Thesis (Ph. D.)--University of Washington, 1988. / Vita. Bibliography: leaves [177]--183.
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Zur Geschichte der französischen Gesangskunst im XVII. Jahrhundert vor der Gründung der Académie royale de musique ...Gerold, Theodor. January 1910 (has links)
Inaugural--Dissertation. / Includes bibliographical references.
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Die Koloratur in der italienischen Oper des 19. Jahrhunderts ...Medicus, Lotte, January 1939 (has links)
Inaug.-Diss.--Zürich. / Lebenslauf. "Anhang: Notenbeispiele": 18 p. at end.
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The songs of Luigi Gordigiani (1806-1860) "Lo Schuberto italiano" /Cimarusti, Thomas Michael. Seaton, Douglass. January 2007 (has links)
Dissertation (Ph.D.) Florida State University, 2007. / Advisor: Douglass Seaton, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-04-2007). Document formatted into pages; contains 236 pages. Includes biographical sketch. Includes bibliographical references.
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Mark Adamo the solo vocal works through 2006 /Miller, Scott David. January 1900 (has links)
Thesis (Ph.D.)--University of Nebraska-Lincoln, 2006. / Title from title screen (site viewed Aug. 22, 2007). PDF text: 218 p. : music, facsim. UMI publication number: AAT 3240050. Includes bibliographical references. Also available in microfilm and microfiche formats.
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The Lieder of Paul DessauHix, Michael Thomas. Hoekman, Timothy. Dessau, Paul, January 2006 (has links)
Treatise (D.M.A.) Florida State University, 2006. / Advisor: Timothy Hoekman, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-26-07). Document formatted into pages; contains 65 pages. Includes biographical sketch. Includes bibliographical references.
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A portfolio of original compositionsLaVoy, Thomas January 2017 (has links)
This thesis, A Portfolio of Original Compositions, contains six musical compositions and accompanying commentary presented for the degree of Doctor of Philosophy in Music Composition at the University of Aberdeen in 2017. The focus of these musical works is on the composition of music for the human voice, though there are significant examples of instrumental composition included in the portfolio as well. The focal point of the accompanying commentary is an extended work for choir, string quartet and percussion ensemble titled Endless, which uses verses from Rabindranath Tagore's Nobel-Prize-winning collection of devotional poetry Gitanjali as its textual basis. The other works contained within the portfolio, O Great Beyond, Songs of the Questioner, The Dream I Knew, Ave, maris stella and When daylight came…, are shown in the commentary to be important examples of supplemental research that led to the composition of Endless. The individual chapters of the accompanying commentary discuss various aspects of research-based composition found throughout the portfolio, again with specific emphasis on Endless. These include the approach to form and text setting, the use and development of musical motives, the approach to harmony and specific techniques of orchestration. The commentary also discusses how research into the music of other cultures, most importantly the pitch and ornamental systems employed in Indian music, has informed the composition of the works contained in the portfolio.
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