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An open-ended database guide to assist ministers of music and vocal soloists to select solos that will match and enhance the lectionary readings during the Easter cycle (year "A")Bunnell, John H. January 1900 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2006. / Abstract. Includes bibliographical references (leaves 147-150).
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Music ministry the inculturation of liturgical vocal music in Vietnam /Nguyễn, Xuân-Thaʼo Joseph, January 2007 (has links)
Thesis (D. Min.)--Catholic Theological Union at Chicago, 2007. / Abstract and vita. Includes bibliographical references (leaves 401-409).
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Music ministry the inculturation of liturgical vocal music in Vietnam /Nguyễn, Xuân-Thaʼo Joseph, January 2007 (has links)
Thesis (D. Min.)--Catholic Theological Union at Chicago, 2007. / Abstract and vita. Includes bibliographical references (leaves 401-409).
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The intuitive and the intellectual aspects of personal compositional voice and its complex and intuitive processes in relation to astronomical observations and elementary and advanced performers /Clark, Stephen J. January 2008 (has links)
Thesis (Ph.D.) -- University of Western Sydney, 2008. / A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy awarded by the School of Communication Arts, College of Arts, University of Western Sydney. Includes bibliography.
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The solo vocal repertoire of Mary Carlisle Howe with stylistic and interpretive analyses of selected works /McClain, Sandra Clemmons. January 1992 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1992. / Typescript; issued also on microfilm. Sponsor: Jan Eric Douglas. Dissertation Committee: Harold F. Abeles. Includes bibliographical references (leaves 215-217).
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The Monteverdi vespers of 1610 and their relationship with Italian sacred music of the early seventeenth centuryKurtzman, Jeffrey G. January 1972 (has links)
Thesis--University of Illinois, Urbana-Champaign. / Vita. "Musical supplement": v. 2, leaves 474-1103. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1977. -- 21 cm. Bibliography: v. 1, leaves 439-473.
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Selected unpublished villancicos of padre fray Antonio Soler with reference to the cultural history of eighteenth-century Spain /Espinosa, Teresita, Soler, Antonio, January 1969 (has links)
Thesis--University of Southern California. / Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1978. -- 2 v. ; 21-27 cm. Bibliography: v.1, leaves 269-294.
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Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya analysis and performance editions /Dean, Michael Noel. Zumaya, Manuel de, January 2002 (has links)
Thesis (Ph. D.)--Texas Tech University, 2002. / Includes bibliographical references (leaves 151-153).
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A study of Krzysztof Penderecki's Credo : how it exemplifies his compositional style at the end of the 20th century /Meder, Randall Anton. January 1900 (has links)
Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2006. / Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4033. Adviser: Fred A. Stoltzfus. Includes bibliographical references (leaves 135-136) Available on microfilm from Pro Quest Information and Learning.
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Vocal music of the Anglo-Boer War (1899-1902) insights into processes of affect and meaning in music /Gray, Anne-Marie. January 2004 (has links)
Thesis (D.Mus.)-University of Pretoria, 2004. / Includes bibliographical references. Available on the Internet via the World Wide Web.
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