Th. Etat--Paris--Paris-IV-Sorbonne, 1994. / Introd. en allemand et en anglais. Bibliogr. p. 427-443. Index.

Diss.--Phil. Fak.--Cologne, 1994. / Bibliogr. p. 209-235.

[No abstract available] / Education, Faculty of / Language and Literacy Education (LLED), Department of / Graduate

Zugl.: Freiburg (Breisgau), Universiẗat, Diss., 2009.

Not available / text

Not available / text

Richard Wagner, in writing the text which would become the libretto of his four operas comprising the Ring was influenced greatly by German Mythology as well as old Norse writings. His main sources are the Volsungensaga, the Thidreksaga and the Nibelungenlied. Certain portions of the Ring follow closely the events described in some of the sagas, other portions have been changed and elaborated to achieve theatrical effect. I have endeavoured to explain the differences between the sources and the finished masterpiece. Whether his version of the tales was to ensure good theatre or whether he felt that he was improving on the originals is a moot point. The similarities are sufficient to prove that he had totally immersed himself in the literature available and no doubt felt himself to be a worthy protagonist of this culture. There is no doubt that his music is a masterpiece which may be enjoyed with or without any depth of knowledge of its origins.

Zugl.: Berlin, Techn. Univ., Diss., 2009

Thesis (D.M.A.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 3, 2000, Sept. 17, 2001, Oct. 13, 2003, and Oct. 24, 2006. Includes bibliographical references (p. 84-89).

No description available.