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The choral works of Robert Ward a view of his compositional approach to text settings and his use of symbols and allusions /Tucker, Carlton S. January 2007 (has links)
Thesis (D.M.A.)--University of North Texas, 2007. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 105-108).
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Role of Mary Warren in Robert Ward's The CrucibleDeBruyn, Maaike Maria 05 1900 (has links)
None.
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Role of Abigail Williams in Robert Ward's The CrucibleKrueger, Melanie Erin 05 1900 (has links)
None.
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Role of Mary Warren in Robert Ward's The CrucibleDeBruyn, Maaike Maria 05 1900 (has links)
None. / Arts, Faculty of / Music, School of / Additional material: 1 video cassette (Koerner Library). / Graduate
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Role of Abigail Williams in Robert Ward's The CrucibleKrueger, Melanie Erin 05 1900 (has links)
None. / Arts, Faculty of / Music, School of / Additional material: 1 video (Koerner Library). / Graduate
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A study of Robert Ward's three works for violin and pianoWarlick, Leslie Taylor. Spurgeon, Phillip. Ward, Robert, Ward, Robert, Ward, Robert, January 2003 (has links)
Treatise (D.M.A.) -- Florida State University, 2003. / Advisor: Phillip Spurgeon, Florida State University, School of Music. Title and description from treatise home page (viewed 11-21-03). Document formatted into pages; contains 61 pages. Includes biographical sketch. Includes bibliographical references.
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Robert Ward's The crucible : creating an American musical accent /Kolt, Robert Paul. January 2005 (has links)
Thesis (Ph. D.)--University of Maryland, College Park, 2005. / Thesis research directed by School of Music. Includes bibliographical references (leaves 245-250).
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The Choral Works of Robert Ward: A View of His Compositional Approach to Text Settings and His Use of Symbols and AllusionsTucker, Carlton S. 05 1900 (has links)
Robert Eugene Ward's impressive body of work encompasses almost every genre of music. He has composed symphonies, operas, large orchestral pieces, chamber works, solo instrumental pieces, extended choral works, short choral pieces, ceremonial works, a ballet, theatre pieces, and even jazz and swing band pieces. Ward's name is recognized in most musical circles but usually only for his opera The Crucible, a work for which he earned a Pulitzer Prize in 1962. In fact, a survey of all the dissertations, articles, interviews, and books written about Robert Ward shows that the vast majority of these studies focus on his most famous opera. His choral works, though they comprise some of Ward's most expressive work, have received little attention. Ward's works show a deliberate use of symbols and allusions. While this use is far from an innovative concept in composition, Ward distinguishes himself with a consistent and purposeful application of these devices establishing an unmistakable interweaving of text, composition, and context. This study examines several of Ward's short choral compositions as they relate to the composer's use of symbols and allusions. Comparisons are made to Ward's use of these devices in his operatic works as a means of determining the consistency of their use throughout his vocal works. Chapter 1 looks at the composer's background, influence, and experience as to their impact on his approach to composition. Chapter 2 lays the groundwork for the discussion of symbols and allusions in music by establishing their basis and function in literary arts in general. The final chapter explores Ward's use of symbols and allusions in four of his choral works.
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