'Community' is a multivalent concept, subject to a plurality of contexts and constructs that can alter and shift its meaning. As a dance artist, I have encountered myriad understandings and manifestations of 'community' through dance practice, and perceive an intrinsic relationship between dance and 'community.' A 'West African' dance class in Philadelphia — designated as a 'community-based' class by the instructor — provides a rich opportunity to excavate this relationship. The class, one of several offered throughout the city, is located in West Philadelphia. It is an intergenerational class attended by a diverse demographic of participants (race/ethnicity, gender, profession, class, age, ability, etc.) with an array of motivations and goals for participating in class (as made evident through conversations and interviews). All are welcome to attend, regardless of previous experience or skill level in 'West African' dance. My dissertation is a qualitative research study that examines participant experiences and interpretations of 'community,' with attention paid to the socio-cultural/political context of 'West African' dance in the United States, specifically in Philadelphia. Methodologically, this study is situated in sensory ethnography, philosophically oriented in community based participatory research, and draws from phenomenological strategies towards gathering lived experience data. Lived experiences of 'community' are placed in conversation with literature concerned with theories and constructions of 'community' from a range of disciplines, as well as texts that interrogate the historical, sociocultural and political contexts which frame 'West African' dance within the United States. As a member of this particular 'West African' dance class, I situate my own experiences within that of the collective, migrating inward and outward between personal reflection and participant narratives. As such this investigation lies at the intersection of subjective, intersubjective, and cultural knowledge. / Dance

Depression is a disabling mental disorder that has huge impacts on one’s life and is therefore considered a global health concern. Efforts to find the most effective treatments have led to the development of antidepressants and cognitive therapy treatments. However, exercise as a form of treatment for depression has been growing in popularity. Recently, Dance Movement Therapy has gained exposure as a possible form of exercise treatment. Therefore, in the current study, West African dance was studied in order to determine its effects on depression. It was hypothesized that West African dance would target and alleviate symptoms of depression as outlined on the Beck Depression Inventory. Participants were already enrolled in the dance class and the Beck Depression Inventory was administered to the participants. Results indicated that West African dance had a significant positive impact on depression by lowering overall depression scores and psychological depression scores. This study contributes to current literature by offering a unique form of dance with rhythmic drum beats that has not been studied before. Future research should be aimed at further establishing the efficacy of West African dance and the long-term effects it has on depression.