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The area of investigation for this study falls within a small urban island called Westbury. Situated 7km to the West of Johannesburg’s CBD, it is isolated from the adjacent urban fabric as a result of its historical and also recent development. Westbury itself also consists of a series of fragmented islands with undefined boundaries, weak urban blocks and a disorientated grid. The area has recently been identified as a high priority region for densification1 by the city of Johannesburg, supported by transport-oriented infra-structural investment. The questions raised by this study are contextualized against this backdrop. How could densification in Westbury be achieved towards the creation of a more inter-connected, cohesive, accessible and therefore sustainable urban environment? Following from this: How could Westbury be better integrated with the immediate surrounding urban fabric whilst combating its own fragmentation? What is the role of urban blocks and boundary conditions to help shape a future more integrated Westbury, and also towards meaningful place-making? In what ways can architecture contribute in order to improve the urban fabric that operates on various scales: from the very scale of the house to that of an urban boundary to that of the urban block and ultimately the greater urban network? The hypothesis outlined in this study is that architecture is too weak to stand in isolation, that a network of buildings is necessary to achieve a more sustainable, accessible, cohesive, and inter-connected urban environment. This is tested through a rigorous analysis of boundary conditions at different scales as reflected in the urban blocks of Westbury and the resultant architectural strategies. Finally, a block and its attendant boundaries is singled out to test the architectural contribution towards densification of the suburb, the making of place, and better inter-connectivity. The process is envisaged as driven from both the scale at which urban issues inform the architecture, and the reverse scale the architecture in Westbury informs the urban master plan. The architecture in style and scale sets the conditions for the proposed urban blocks. The boundary wall being the medium where urban meets architecture. “For these dreams to flourish in reality, we must recognise that there can be no ready-made solutions in housing, no recipes or / Mini Dissertation (MArch (Prof))--University of Pretoria, 2018. / Architecture / MArch (Prof) / Unrestricted

In post-apartheid South Africa, Coloured communities are engaged in reconstructing identities and social histories. This study examines the representation of community, identity, culture and historic memory in two films about Westbury, Johannesburg, South Africa. The films are Westbury, Plek van Hoop, a documentary, and Waiting for Valdez, a short fiction piece. The ambiguous nature of Coloured identity, coupled with the absence of recorded histories and unambiguous identification with collective cultural codes, results in the representation of identity becoming contested and marginal. Through constructing narratives of lived experience, hybrid communities can challenge dominant stereotypes and subvert discourses of otherness and difference. Analysis of the films reveals that the Coloured community have reverted to stereotypical documentary forms in representing their communal history. Although the documentary genre lays claim to the representation of reality and authentic experience, documentary is not always an effective vehicle for the representation of lived experience and remembered history. Fiction can reinterpret memory by accessing the emotional textures of past experiences in a more direct way.

Architecture without Land postulates the role of architecture without the promise of the ownership of land. It investigates the provision of land, secured with land tenure, as a development strategy in critical neighbourhoods, specifi cally Westbury, Johannesburg. It is situated within the urban land question and opportunity of land, characterised by continual redevelopment within strict urban boundaries and multiplicity of use, and addresses the fragments of apartheid city planning, particularly the question of ownership of land. Title deeds are not always practical or appropriate solutions. Fixed ownership could stagnate the process of continual redevelopment of land and hence of the social development in a low income neighbourhood. The opportunity of land tenure, as opposed to ownership, aids fl exibility and appropriation by tenants including the continual redevelopment of a site. Tenure of land, allows the tenant organisation to expand, insert or subtract their built manifestation in relationship to their economic conditions, reducing ineffi cient land use. This approach responds to change in mainly two ways; internal changeability (Architecture host to change) and external changeability (Land host to change). Land host to change; orders the permanent (stable) built fabric, predetermining structure, service and external space. Tenant dependency on stable built fabric (architecture as method) is articulated in a scale understanding of facility and connection (service point). This interaction is expressed in use of space, fi t-out, infi ll and/or insert with the condition of easy removal at end of use. Access to land and space are vital to the project as poverty is deeply spatial and ownership of land intertwined with the legacy of apartheid. This dissertation will focus on the appropriation of land, tested with social infrastructure such as early childhood development, mothers training, shisa nyama, a medical unit supported by affordable rental housing, hosted in a 66m by 36m land parcel, supporting compact city development and densifi cation in the suburb of Westbury Johannesburg. / Mini Dissertation (MArch (Prof))--University of Pretoria, 2018. / Architecture / MArch (Prof) / Unrestricted

Thesis (M.Arch. (Professional))--University of the Witwatersrand, Faculty of Engineering and the Built Environment, 2016. / Drug abuse, particularly among younger generations, is an issue of increasing concern in South Africa. According to recent reports on global substance abuse, South Africa was named as having some of the highest rates of youth drug use in the world. This not only has dire impacts for local communities and their youth, but has led to increasing crime rates and unemployment in these communities. One such community, plagued with youth drug abuse and addiction, is Westbury, a former coloured township in Western Johannesburg. Westbury has, in turn, been selected as the focus area for this thesis due to prevailing struggles with youth drug addiction, high rates of drug-related crime and a community outcry for a solution. This thesis aims to investigate a means of alleviating degrees of drug use, and other risky youth behaviours, by introducing an architectural intervention. This intervention – defined as a Youth Centre and Safe House – will attempt to address the search for identity and meaning within the liminal state of adolescence, and the often risky behaviours that arise as a result, by providing a sense of ‘place’ and belonging for the ailing youth. With the main focus group being at-risk adolescents, and in order to create an architecture that speaks of the liminal state of adolescence, threshold and ‘the space between’ become important design concepts. This thesis attempts to investigate the movement between distinct spaces, the experience of transition, and the physical and psychological effects thereof. The resultant design proposes an architecture of liminality, where soft, implied thresholds and a celebration of ‘the space between’ become the manner in which the liminal subject can negotiate the built environment and establish a sense of ‘place’ within it. / EM2017