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11	Sam Peckinpah killed Randolph Scott (but somehow the Duke survived) regeneration and genre tradition in the final Westerns of John Wayne / Nelson, Andrew Patrick, January 1900 (has links) Thesis (M.A.) - Carleton University, 2007. / Includes bibliographical references (p. 103-106). Also available in electronic format on the Internet.
12	"When I get home, I'm fixin' to stay" : gender and domesticity in Post-World War II musical Westerns / Calhoun, Claudia Y. January 2005 (has links) (PDF) Undergraduate honors paper--Mount Holyoke College, 2005. Program in American Studies. / Includes bibliographical references (leaves [115]-122).
13	Homeless on the range : masculinity and the orphan myth in the American Western, 1950-1990 / Barrow, Ann. January 2005 (has links) Thesis (Ph.D.)--York University, 2005. Graduate Programme in Communication and Culture. / Typescript. Includes bibliographical references (leaves 254-293). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11547
14	Functions of film music and sound within a genre : the revenge western / Timmons, Lena G. Boyd, Jean Ann. January 2006 (has links) Thesis (M.M.)--Baylor University, 2006. / Includes bibliographical references (p. 68-72).
15	Spirit of the west : the Alberta cowboy in Canadian cinema / Grant, Ashley, January 1900 (has links) Thesis (M.A.)--Carleton University, 2002. / Includes bibliographical references (p. 113-116). Also available in electronic format on the Internet.
16	Dichotomy in American Western Mythology Robinson, Scott E. (Scott Elmon), 1961- 05 1900 (has links) The fundamental dichotomy between savage and civilized man is examined within the archetypal Western myth of American culture. The roots of the dichotomy are explored through images produced between 1888 and 1909 by artists Frederic Remington and Charles Russell. Four John Ford films are then used as a basis for the "dichotomous archetype" approach to understanding Western myth in film. Next, twenty-nine "historical" and "contemporary" Western movies are discussed chronologically, from The Virginian (1929) to Dances with Wolves (1990), in terms of the savage/civilized schema as it is personified by the roles of archetypal characters. The conclusion proposes a potential resolution of the savage/civilized conflict through an ecumenical mythology that recognizes a universal reverence for nature. Western films American culture dichotomous archetype Western films -- History and criticism. Myth in motion pictures. West (U.S.) in art. West (U.S.) -- Civilization.
17	Heroines in western films / Moser, Evelyn Christine Busch. January 2005 (has links) Thesis (Ph. D.)--University of Nevada, Reno, 2005. / "August 2005." Includes bibliographical references (leaves 237-246). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
18	The western, the buddy movie and noir : lesbian re-readings of the American action movie. Goulden, Jan. January 1999 (has links) Thesis (MPhil)--Open University.
19	Values in film :ba comparison of selected American Western films of the 1940s and the 1970s Mass, Roslyn, January 1978 (has links) Thesis (Ph. D.)--New York University, 1978. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 345-352).
20	Values in film :ba comparison of selected American Western films of the 1940s and the 1970s Mass, Roslyn, January 1978 (has links) Thesis (Ph. D.)--New York University, 1978. / Typescript. Includes bibliographical references (leaves 345-352). Also issued in print.

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