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Trespassing and re-defining boundaries Edith Wharton's mobilization of her characters against prejudice and reproduction /Lee, Hoi-ling, Veronica, January 2008 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2008. / Also available in print.
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Edith Wharton's narrative technique the major phase.Pitlick, Mary Louise, January 1965 (has links)
Thesis (Ph. D.)--University of Wisconsin, 1965. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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The ideology of women in the fiction of Edith Wharton, 1899-1920Turner, Jean, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Typescript. Vita. Description based on print version record. Includes bibliographical references.
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L'Oeuvre romanesque européenne d'Edith Wharton étude critique /Papierniak-Beau, Katherine, January 1987 (has links)
Th. 3e cycle--Litt. comp.--Paris 4, 1986.
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Patterns of enclosure : Edith Wharton's ambivalent sense of beauty : thesis presented to the Faculty of arts of the University of Zurich for the degree of Doctor of philosophy /Janssen-Chiappinelli, Lucilla, January 1997 (has links)
Th. Ph. D.--Faculty of arts--Zurich--University of Zurich. / Bibliogr. p. 271-278.
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Edith Wharton's dark ecology : representations of nature in three major novels /Bacon, Julie M. January 1900 (has links)
Thesis (M.A.)--Oregon State University, 2010. / Printout. Includes bibliographical references (leaves 76-79). Also available on the World Wide Web.
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A new man : masculine confusion and struggle in the works of Edith Wharton /Crump, Gary. January 2008 (has links)
Thesis (M.A.)--Western Kentucky University, 2008. / Includes bibliographical references (leaves 88-89).
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Marital Traditions in the Fiction of Edith WhartonMontgomery, Janis Jean 05 1900 (has links)
This study deals, with Edith Wharton's literary attitude toward woman's limited place in society and her opportunities for happiness in acceptance of or rebellion against conventional standards. Wharton's works, specifically her novels, contain recurrent character types functioning in recurrent situations. Similarity in the themes of Wharton's various works illustrates her basic idea: woman, lacking independence and identity, needs the security of tradition's order.
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The critical reception of Edith Wharton's fiction in America and England, with and annotated enumerative bibliography of Wharton criticism from 1900 to 1961Plante, Patricia R. January 1962 (has links)
Thesis (Ph.D.)--Boston University / This study is divided into two parts. Part One consists of an analysis of the critical reception of each. of Edith Wharton's works of fiction. The aim of Part One is to trace the history of Wharton criticism in the past sixty years in order to discover the possible patterns of critical attitudes towards her fiction both when it first appeared and in the present day. Part Two consists of an enumerated annotated listing of all biographical and critical studies of Edith Wharton and her fiction subject to the limitations stated in the work. Since all present listings of secondary sources on Wharton are at best fragmentary, the purpose of Part Two is to compile as complete a bibliography as possible in order to help future students in further research [TRUNCATED]
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The making of Americans in Paris : the autobiographies of Edith Wharton and Gertrude Stein /Sloboda, Noel. January 1900 (has links)
Texte remanié de: Thesis Ph. D.--St. Louis, Mo.--Washington university. / Bibliogr. p. 167-177. Index.
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