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La Vision du réel dans l'oeuvre d'Angus Wilson "Hemlock and after", "Anglo-saxon attitudes", "The Middle age of Mrs Eliot /Castel, Mounia, January 1989 (has links)
Th. 3e cycle--Litt. angl.--Paris 3, 1988.
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Künstler und Künstlerin in ihrer Lebenswelt : zum Verhältnis von Kunst und Realität in drei Romanen Angus Wilsons /Klein, Gudrun, January 1990 (has links)
Texte remanié de: Diss.--Philosophische Fakultät--Saarbrücken--Universität des Saarlandes, 1989.
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An Analysis of Angus Wilson's "No Laughing Matter"Arnold, Gloria Cockerell 12 1900 (has links)
This thesis examines Angus Wilson's novels with particular attention to No Laughing Matter, 1967. The introductory overview of Wilson's first five novels and the examination of No Laughing Matter show that all Wilson's novels are concerned with his protagonists' capacity for self-deception and the ways deception limits freedom of choice. In No Laughing Matter six protagonists try to balance self-deception and freedom both in their lives and in the art forms which interest them. The thesis traces the lives of these six as they fail both as artists and as people. Chapter III of the thesis studies the relationship of fantasy to character in the novel. In No Laughing Matter particularly, the characters reflect the loss of liberty when individuals do not exercise their freedom to choose.
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