Lecture: "Hymns of praise for Debussy: A comparison of the 1920 and 1947 versions of Igor Stravinsky's Symphonies of wind instruments." / text

Lecture: "Kevin Puts' Network: A transcription for wind ensemble." -- Network / Kevin Puts. / text

Adagio para orquesta de instrumentos de viento / Joaquin Rodrigo -- Overture to Candide / Leonard Bernstein -- Visionplace of souls / Kevin Walczyk -- Rocky Point holiday / Ron Nelson -- Passacaglia and Thema fugatum in C minor, BWV 582 / Johann Sebastian Bach -- Give us this day: short symphony for wind ensemble / David Maslanka. / text

Passacaglia and thema fugatum in C minor, BWV 582 / Johann Sebastian Bach, transcribed for winds by Leopold Stokowski. A modern edition for wind ensemble by Marc Sosnowchik. / text

Florentiner "Grand march italiana" op.214 / Julius Fucik -- Overture to Colas Breugnon / Dmitri Kabalevsky -- Second suite in F for Military Band / Gustav Holst -- Lauds (Praise high day) / Ron Nelson. / text

Lecture: "Re-implementing the bass tuba in wind ensemble literature" -- Hungarian march / Hector Berlioz -- Concerto for bass tuba / Ralph Vaughan Williams -- Toccata Marziale / Vaughan Williams -- Lincolnshire posy / Percy Grainger -- Symphony no.19, op.46 / Nikolai Miaskovsky -- Symphony in B-flat / Paul Hindemith. / text

This single movement work is written for 2 flutes, 2 oboes, 3 clarinets in Bb, bass clarinet in Bb, 2 bassoons, alto saxophone in Eb, 2 horns in F, 2 trumpets in Bb, trombone, euphonium, tuba, contra bass, and 3 percussion. The approximate length is eight minutes. Both traditional and proportional systems of notation are employed. The entire piece is freely chromatic with some implications of whole tone and other nondiatonic scales. The harmonies are tertian yet have no functional tonal basis. Changing meters with asymmetrical divisions are used in all sections except C and E, which have time indications (in seconds) for each measure with subdivisions to aid the conductor. There are seven major formal divisions: A B transition C retransition A' D E.

Ouverture fur Harmoniemusik, op. 24 / Felix Mendelssohn-Bartholdy -- Concertino for flute, op. 107 / Cecile Chaminade -- Octet, op. 103 / Ludwig van Beethoven -- Ragtime for eleven instruments / Igor Stravinsky. / text

Of Variegated Shadows is an original composition for wind ensemble. The purpose of the composition is to contribute a work to college level wind ensemble literature which employs established instrumental techniques and explores the various colors or timbres of the ensemble. The work is a single movement of approximately 15 - 20 minutes duration. It is divided into three continuous sections, each reflecting a different character or mood. A transition couples the first and second sections and a coda concludes the composition with a brief return of the opening section. Textures of the piece are transparent with an emphasis given to the blending of different colors in the ensemble. Instrumentation includes antique cymbals, vibraphone and tam-tam to add subtle shades of color. Thematic materials woven into the texture are linearly constructed as well as vertically layered and fragmented. There is no order or system in which pitches occur, although intervals used reflect the motivic structures in the work.

Mass is written for large mixed choruswind ensemble consisting of woodwind quartet (flute, oboe, Bb clarinet, and bassoon), brass quintet (two Bb trumpets, F horn, trombone, bass trombone), and recorded digital synthesizer. This setting of the Ordinary is in Latin and includes the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. The duration of the work is approximately twenty-seven minutes.