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Emerging Light: for wind ensembleMaloy, Kristopher 28 August 2008 (has links)
Not available / text
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Emerging Light : for wind ensembleMaloy, Kristopher 09 August 2011 (has links)
Not available / text
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Horizon : for wind ensemble : creating narrative in post-serial tonalityHarchanko, Joseph, 1971- 18 August 2011 (has links)
Not available / text
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Essential excerpts for tuba from original works written for wind ensembleHarvey, Brent Meadows. January 1900 (has links) (PDF)
Thesis (D.M.A.)--University of North Carolina at Greensboro, 2007. / Title from PDF title page screen. Advisor: Dennis W. AsKew; submitted to the School of Music. Includes bibliographical references (p. 45-48).
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The history and development of the symphonic bandResendes, Joseph M. January 2007 (has links)
Thesis (M.A.)--York University, 2007. Graduate Programme in Music. / Typescript. Includes bibliographical references (leaves 91-92). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004 & res_dat=xri:pqdiss & rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation & rft_dat=xri:pqdiss:MR32036.
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A fanfare for the makers, for wind ensemble : score and analysisAda, Stephen L. January 1997 (has links) (PDF)
No description available.
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Contributions to the wind ensemble medium by three contemporary American composers: Norman Dello Joio, Warren Benson, and Samuel Adler /Lutch, Mitchell Bryan. January 2008 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2008. / Vita. Chapters on each composer include a catalogue and discography of their works. Includes bibliographical references (leaves 333-335).
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The College Band Directors National Association commissioned compositions, 1961-2001 a survey and analysis /Kish, David. January 2003 (has links)
Thesis (D.M.A.)--University of North Carolina at Greensboro, 2003. / Includes bibliographical references (leaves 137-140).
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The analyses of three twentieth-century compositions for wind ensembleTyra, Thomas Norman, January 1971 (has links)
Thesis--University of Michigan. / Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1979. -- 21 cm. Includes bibliographical references (leaves 211-215).
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Of Variegated ShadowsMita, Harold Y. 05 1900 (has links)
Of Variegated Shadows is an original composition for wind ensemble. The purpose of the composition is to contribute a work to college level wind ensemble literature which employs established instrumental techniques and explores the various colors or timbres of the ensemble. The work is a single movement of approximately 15 - 20 minutes duration. It is divided into three continuous sections, each reflecting a different character or mood. A transition couples the first and second sections and a coda concludes the composition with a brief return of the opening section. Textures of the piece are transparent with an emphasis given to the blending of different colors in the ensemble. Instrumentation includes antique cymbals, vibraphone and tam-tam to add subtle shades of color. Thematic materials woven into the texture are linearly constructed as well as vertically layered and fragmented. There is no order or system in which pitches occur, although intervals used reflect the motivic structures in the work.
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