This thesis is an exploration of the novel Taigan no Kanojo (Woman on the Other Bank, 2004) by Japanese writer Kakuta Mitsuyo (1967- ). A biography of the author is presented first, covering Kakuta’s writing to date and the personal circumstances that have influenced her body of work. To my knowledge this is the first in-depth biography prepared, in English or Japanese, of Kakuta Mitsuyo. The next section of this thesis is a discussion of the text. Kakuta is deeply critical of the status of women in Japanese society, and uses Taigan no Kanojo as a platform to make her readers aware of her views. She probes employment conventions that limit women’s choices and the difficulties that women face when they try to combine motherhood with work outside the home. She asks her reader to reconsider what should define ‘success’ or ‘failure’ in terms of women’s lives. This section, therefore, explores these themes, and places the novel firmly within its social background. Lastly, in order to make the novel that forms the focus of this thesis accessible to a non-Japanese readership, translations of Chapters One and 15, and synopses of Chapters Two through 14 are then provided.

The central theme of this thesis is to discuss the depiction of nature in the work of the Chilean author María Luisa Bombal and to show how she introduces a woman's perspective into these texts. The emphasis is on finding t ypical symbols which are used in the author's novels and short stories and to focus on their specific usage and connotations. For greater clarit y, the author's work is divided into 3 major thematic units: seeking for love in vain, the cosmic connection of female characters wi th nature, and her interpretation of the relationship between life and death.