Dissertation (Ph.D.)--Auburn University, 2007. / Abstract. Vita. Includes bibliographic references.

Thesis (M.A.)--Marshall University, 2003. / Title from document title page. Document formatted into pages; contains vi, 101 p. and illustrations. Includes bibliographical references (p. 97-100).

No description available.

Thesis (Ph. D.)--University of New South Wales, 1999. / Also available online.

This dissertation investigates the early twentieth century work of Irish-born interior designer and architect, Eileen Gray. While the existing literature has tended to read Gray and her work primarily in relation to major male modernist movements and figures, this dissertation contends that considering her engagement with the alternative modernisms developed by other women artists and writers at the time will enrich our understanding of the wider social, cultural and historical implications of her work. In order to make sense of what scholars have long recognised as Gray's critically different architecture and design I analyse her work in relation to three of her female contemporaries: the artist Romaine Brooks, and writers Radclyffe Hall and Djuna Barnes. Such an analysis reveals that Gray's critically different work was importantly related to the critically different aesthetics, genders and sexualities that Gray and many of her female contemporaries cultivated at the time. / The first chapter argues that debates about domestic architecture and design were also importantly debates about modern bodies and subjects and provides the framework for the analyses that follow. Chapter 2 compares Gray's early lacquer works, La Voie Lactee (ca. 1912), Le Magicien de la Nuit (1913) and Le Destin (1914) to Romaine Brooks' two paintings from 1910, White Azaleas and The Screen, focusing on their use of decadent aesthetics. Chapter 3 considers Gray's first intricately designed house, E.1027 (1928), in relation to the content and cultural impact of Radclyffe Hall's 1928 novel, The Well of Loneliness. Chapter 4 examines Gray's extremely private and less known house, Tempe a Pailla (1934), in relation to the obscure and non-communicative narrative strategies of Djuna Barnes' 1936 novel, Nightwood. Overall, the argument that binds my dissertation is that Gray's work both contributed and responded to changing conceptions of gendered and sexual subjects in the first half of the last century.

No description available.

Typescript (photocopy). / Digitized by Kansas Correctional Industries

Women architects are effectively absent from architectural history in Australia. Consulting first the archival record, this thesis establishes the presence of 230 women architects qualified and/or practising in NSW between 1900 and 1960. It then analyses some of these early women architects' achievements and difficulties in the profession, drawing on interviews with 70 practitioners or their friends and family. Finally it offers brief biographical accounts of eight leading early women architects, arguing that their achievements deserve more widespread historical attention in an adjusted canon of architectural merit. There are also 152 illustrations evidencing their design contributions. Thus the research draws on quantitative, qualitative, biographical and visual modes of representation in establishing a historical presence for these early women architects. The thesis forms part of the widespread political project of feminist historical recovery of women forebears, while also interrogating the ends and means of such historiography. The various threads describing women's absence and presence in the architectural profession are woven together throughout the thesis using three feminist approaches which sometimes harmonise and sometimes debate with each other. Described as "liberal feminism", "socialist feminism" and "postmodern feminism", they each put into play distinct patterns of questioning, method and interpretation, but all analyse historiography as a strategy for understanding society and effecting social change.

Thesis (Ph.D.)--University of Adelaide, School of Architecture, Lanscape Architecture and Urban Design, 2003. / Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251).

Thesis (M.A.) - Carleton University, 2002. / Includes bibliographical references (p. 162-169). Also available in electronic format on the Internet.