published_or_final_version / Fine Arts / Master / Master of Philosophy

Chau, Tsz Kin. / "December 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter 1 --- Who's Pan Yuliang? Whose Pan Yuliang? --- p.7 / Who's Pan Yuliang? --- p.7 / Life and Art of Pan Yuliang: Existing Account --- p.12 / Whose Pan Yuliang? --- p.22 / "Summary of Existing Accounts: Biography, Oedipus complex and Narcissism" --- p.30 / Chapter Chapter 2 --- Reconsidering Pan Yuliang --- p.33 / Academic works in Mainland China and Taiwan since 2000 --- p.33 / Theorizing the Woman Painter --- p.42 / Background I: Modern Art in Republican China --- p.54 / Background II: Paris Modernism --- p.60 / Chapter Chapter 3 --- Expanding Biography into History --- p.63 / Chapter Chapter 4 --- The Political Xiesheng and its Gender Politics --- p.82 / "Pan Yuliang: from Shanghai (1928-32, 36-37) to Nanjing (1933-35)" --- p.83 / The Mission ofNanjang: National Administering of Modernism --- p.86 / Pan Yuliang and the Chinese Arts Association --- p.97 / Xiesheng and a New Woman/painter Subject --- p.113 / Conclusion: a Different Modern for a Woman Painter --- p.123 / Chapter Chapter 5 --- Differencing the Modern and Women's Culture --- p.127 / Theorizing Women's Culture --- p.130 / Pan Yuliang and Women's Community --- p.134 / Contextualizing Women's Community: Republican Modernity and Post-war / Pacifism --- p.137 / Conclusion: Women's Art and Modernism --- p.145 / Conclusion Rethinking Republican and Women's Art --- p.146 / Appendix --- p.150 / Glossary --- p.158 / Graphical Materials --- p.165 / Bibliography --- p.251