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The political and educational implications of gender, class and race in Hollywood film : holding out for a female heroLewis, Alanna. January 1998 (has links)
No description available.
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Criminality of women in Hong Kong films: fromthe 1960's to the 1990'sWong, Bik-wan, Flora, 黃碧雲 January 1995 (has links)
published_or_final_version / Criminology / Master / Master of Social Sciences
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Subversive females: the politics of defiance in Zhang Yimou's filmsHui, Suet-hung., 許雪紅. January 1998 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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Ideology and the performance of gender in Chinese cinemaLeung, Yee-man, Yvonne., 梁以文. January 2002 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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Reading beyond "Happily Ever After": refiguring the Disney narrative of femininityCheung, Ting-yan., 張婷欣. January 2005 (has links)
published_or_final_version / abstract / Comparative Literature / Master / Master of Philosophy
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New Chinese cinemas and feminine writingsWong, Shuk-han, Mary., 黃淑嫻. January 2000 (has links)
published_or_final_version / Comparative Literature / Doctoral / Doctor of Philosophy
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Side By Side: Reinventing Mother/Daughter RelationshipsHolzgraefe, Sandi 05 1900 (has links)
Beginning with mother/daughter film classics such as Stella Dallas (1937) and Mildred Pierce (1945), and moving to consider recent mother/daughter texts, Anywhere But Here (1999) and "Gilmore Girls" (2000 -), this thesis, in both its written and visual components, examines the multiple and often contradictory ways in which mothers and daughters have been represented in popular culture. Challenging the discourses that singularly stress struggle and separation, this research highlights representations that emphasize mother/daughter connection, and examines how such identification empowers mothers and daughters. This project is guided by cultural studies and feminist film theories. The first two chapters outline past and present paradigms of mothers and daughters respectively; the third chapter examines the goals and findings of the visual component.
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A cross-cultural analysis of gender and representation in Chinese new cinemaCui, Shuqin. January 1996 (has links) (PDF)
Thesis (Ph.D.)--University of Michigan, 1996. / Chair: Frank E. Beaver. Includes bibliographical references.
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The construction and (re)presentation of Indian women in recent mainstream western cinemaAich, Priyanka. January 2009 (has links) (PDF)
Thesis (M.A. in communication)--Washington State University, December 2009. / Title from PDF title page (viewed on Feb. 12, 2010). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 107-115).
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Return of the witch the scapegoating of the unredeemable woman in modern American cinema /Meaney, Carol Susan. January 2002 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.
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