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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
41

The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero

Lewis, Alanna. January 1998 (has links)
No description available.
42

Criminality of women in Hong Kong films: fromthe 1960's to the 1990's

Wong, Bik-wan, Flora, 黃碧雲 January 1995 (has links)
published_or_final_version / Criminology / Master / Master of Social Sciences
43

Subversive females: the politics of defiance in Zhang Yimou's films

Hui, Suet-hung., 許雪紅. January 1998 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
44

Ideology and the performance of gender in Chinese cinema

Leung, Yee-man, Yvonne., 梁以文. January 2002 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
45

Reading beyond "Happily Ever After": refiguring the Disney narrative of femininity

Cheung, Ting-yan., 張婷欣. January 2005 (has links)
published_or_final_version / abstract / Comparative Literature / Master / Master of Philosophy
46

New Chinese cinemas and feminine writings

Wong, Shuk-han, Mary., 黃淑嫻. January 2000 (has links)
published_or_final_version / Comparative Literature / Doctoral / Doctor of Philosophy
47

Side By Side: Reinventing Mother/Daughter Relationships

Holzgraefe, Sandi 05 1900 (has links)
Beginning with mother/daughter film classics such as Stella Dallas (1937) and Mildred Pierce (1945), and moving to consider recent mother/daughter texts, Anywhere But Here (1999) and "Gilmore Girls" (2000 -), this thesis, in both its written and visual components, examines the multiple and often contradictory ways in which mothers and daughters have been represented in popular culture. Challenging the discourses that singularly stress struggle and separation, this research highlights representations that emphasize mother/daughter connection, and examines how such identification empowers mothers and daughters. This project is guided by cultural studies and feminist film theories. The first two chapters outline past and present paradigms of mothers and daughters respectively; the third chapter examines the goals and findings of the visual component.
48

A cross-cultural analysis of gender and representation in Chinese new cinema

Cui, Shuqin. January 1996 (has links) (PDF)
Thesis (Ph.D.)--University of Michigan, 1996. / Chair: Frank E. Beaver. Includes bibliographical references.
49

The construction and (re)presentation of Indian women in recent mainstream western cinema

Aich, Priyanka. January 2009 (has links) (PDF)
Thesis (M.A. in communication)--Washington State University, December 2009. / Title from PDF title page (viewed on Feb. 12, 2010). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 107-115).
50

Return of the witch the scapegoating of the unredeemable woman in modern American cinema /

Meaney, Carol Susan. January 2002 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.

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