Thesis (Ph. D.)--University of Wisconsin-Madison, 1988. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin-Madison, 1988. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.)--Bowling Green State University, 2006. / Document formatted into pages; contains v, 56 p. Includes bibliographical references.

Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 335-352). Available also in a digital version from Dissertation Abstracts.

More recent theories of the 'revolutions' of 1989 in the societies of Eastern and Central Europe now suggest that the underlying dynamic was continuity rather than disjuncture in terms of social and political relations. Yet such theories fail to explain the nature of and the reasons for this continuity in terms of gender relations in the public sphere. The thesis suggests that the clue to understanding the nature of the gendered transformation in Poland's public sphere in its mediated aspects between the years 1980 and 1994 lies in the role of 'socially inherited memory'. Socially inherited memory is the dialectical and gendered process by which a given society both remembers and forgets past events, feelings, thoughts and knowledge through representations. The key to Poland's social memory concerns the repressed stories of political right developed during the nation's period of identity formation in the nineteenth century and interwar years. Certain aspects of this social inheritance were recalled by the Polish United Workers' Party and then by Solidarity to legitimize their power: Because Poland's social memory was formed around the public exclusion of women and Poland's ethnic minorities this resulted in the continuation of exclusionary mechanisms and public ghettoization after World War Two, and, in the 1980s and 1990s. However, the evidence of the thesis also suggests that there were sub-plots of women's resistance and inclusion within the public sphere from at least the nineteenth century onwards. Thus the exclusionary impact of socially inherited memory is not an inevitable historical process: At particular historical moments inclusive representations of women and ethnic minorities are recalled or reenacted in the form of Public organisations or alternative cultural productions. Socially inherited memory it is suggested may provide a useful concept for examining the (en)gendering of the public sphere in other societies.

Since the beginning of the twenty-first century, the Chinese television industry has witnessed the rise of a new form of television programme, Chinese Women’s Makeover Shows. These programmes have quickly become a great success and have received enormous attention from growing audiences. The shows are themed on educating and demonstrating to the audiences the information and methods needed to beautify their faces and bodies and consume products accordingly. The shows are different from earlier Chinese fashion television programmes in format, and are also different from western makeover shows that have personal transformations of external appearance as their subject. The importance of adopting these shows as a research topic lies in the fact that the shows not only represent the images of contemporary Chinese women and propose a series of standards that a modern Chinese woman is advised to abide by in terms of body presentation and appearance, but also reflect the characteristics of Chinese female consumers and the rising consumer culture of China in general. It concerns the challenges and anxieties that have been brought to every woman in China. The thesis starts with an overview analysis of this flourishing genre of television programme and outlines its status quo, format and production techniques. In the following three chapters, it takes three years (2010-2012) of episodes of the three most popular Chinese Women’s Makeover Shows, Queen, Pretty Women, and I am a Great Beauty as the main samples for analysis, aiming to scrutinise 1) the idealised femininity represented in the shows and the cultural context from which the features derive; 2) the self-presentation promoted as appropriate in the shows and how it relates to the reality of Chinese women’s daily life; 3) the body maintenance that the shows urge upon their audiences as regards consumption for the female body and to what extent this epitomises and functions in constructing a consumer society with Chinese characteristics. The thesis intends to fill a gap in academic research with a systematic analysis of the prevailing phenomenon of the Chinese Women’s Makeover Shows and an in-depth study concerning the shows’ meaning-making process within their cultural context.

This study first summarizes extant empirical research concerning role depiction of women in television. Analysis of these studies show television's portrayal of women as discriminatory. Second, this study reports results of an original survey of women's organizations to determine what stands and actions had been taken concerning (1) role depiction and (2) employment of women by the television industry. Out of ninety-two organizations surveyed, fifty-one (55 percent) returned useable questionnaires. Responding groups fell into nine categories, with political and educational organizations most active. National Organization for Women was particularly active. Responding groups most often used "citizen action" and "informational actions" to achieve goals.

Thesis (M.A.)--University of Nevada, Reno, 2007. / "May, 2007." Includes bibliographical references (leaves 36-40). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2007]. 1 microfilm reel ; 35 mm.

Thesis (Ph. D.)--University of Oregon, 2008. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 204-214). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.

Thesis (M.S.)--Kutztown University of Pennsylvania, 1999. / Source: Masters Abstracts International, Volume: 45-06, page: 2705. Typescript. Includes bibliographical references (leaves 41-43).