Thesis (Ph. D.)--Rutgers University, 2007. / "Graduate Program in Women's and Gender Studies." Includes bibliographical references (p. 235-247).

Ruth First was an activist, journalist and sociologist trained by experience and credentialed by her numerous publications. Having lived most of her adult life as an intellectual and activist, First died in August 1982 at the hands of a regime and its supporters who intensely detested all these pursuits. This research project sketches the intellectual contributions made by the South African sociologist during her time at the Centre of African Studies at Eduardo Mondlane University, Mozambique. Her life like the newspaper she edited in the early 1970s was a Fighting Talk and this research project is about celebrating that life and valorising some of the life’s work that she left behind. Making use of qualitative research methods such as archiving, semi-structured interviews and contents analysis, this thesis sought to document Ruth First’s intellectual interventions while at the Centre of African Studies. Engaging with her work while she was in Mozambique and inserting her intellectual contributions, which like those of many African scholars have given way to debates from the global North, into our curriculum would perhaps be the real refutation of the assassin's bomb. This engagement is also crucial as it extends much further than the striking accolades which take the form of buildings and lectures established in her honour.

Women’s involvement in collective struggles for environmental quality has surged in recent years, as has research focusing on this phenomenon. Consistent with this research, a feminist lens is useful in revealing a model of community struggle that features women’s activities and strategies to expose environmental insult. I use a case study of community protest in Hermosillo, a city in the Mexican state of Sonora, to feature social networks as a means of politicizing the placement of a toxic waste dump six kilometers outside the city. A feminist perspective reveals these social networks to be more than a way to mobilize resources. It allow us to see the ways in which gender interacts with globalized relations of power, political ecology, and environmental policy, and to validate a creative way in which women can out-maneuver the gendered constraints to political participation. An analysis of how social networks served in this particular struggle suggests that they are an important component in the process through which women gained voice and authored oppositional discourse in contexts where these have been previously denied, and ultimately deconstructed the political authority that sanctioned the dump.

The original contribution of this thesis is the examination of the official construction of a post-apartheid foundation myth through the analysis of the dead body politics of five iconic South African women that spans the three presidencies that have defined South Africa’s democratic era. This thesis examines the death and funeral of Albertina Sisulu, the return and burial of Sara Baartman, and the commemoration of Charlotte Maxeke, Lilian Ngoyi, and Helen Joseph. Sisulu, Baartman, Maxeke, Ngoyi, and Joseph have been constructed as heroines and as foundational figures for the post-apartheid nation in official rhetoric. It will contend that the dead body politics of these women not only informs a new foundational mythology, but also features in the processes of regime legitimation when the ANC-dominated government faces strong societal criticism. Although such official expressions of nationalism may appear exhausted, this thesis will show that nationalism remains a powerful and dangerous force in South Africa that attempts to silence opposition and critical analysis of perceived failing government policies or inaction. This thesis will indicate that as women’s bodies and legacies are appropriated for nationalist projects they are subsumed in discourses of domestic femininity in official rhetoric that dangerously detract from women’s democratic rights and their ability to exercise responsible and productive citizenship in the post-apartheid state. It will argue that women’s historic political activism is contained within the meta-narrative of ‘The Struggle’ and that women are re-subsumed into the patriarchal discourses of the past that are inherited in the present. This thesis approaches this topic by considering a top-to-bottom construction of post-apartheid nationalism through applying feminist critical discourse analysis to official rhetoric articulated at the public mourning and commemorative rituals of these five women.

Twentieth-century scholars have extensively studied how Rousseau's domestic discourse impacted the patriarchal ideology in the eighteenth and nineteenth centuries and contributed to women's exclusion from the public sphere. Joan Landes, Lynn Hunt, and many others, argued that the French Revolution excluded women from the public sphere and confined them to the domestic realm. Joan Landes also argued that the patriarchal discourse was a mere reflection of social reality. In The Other Enlightenment, Carla Hesse argues for the women's presence in the public sphere. One of the goals of this dissertation is to contribute to the debate by analyzing the content of the counter-discourse of selected women authors during the revolutionary era and examine how they challenged and subverted the patriarchal discourse. In the second chapter, I reconstruct the patriarchal discourse. I first examine the official (or legal) discourse in crucial works which remain absent from major modern sources: Jean Domat's Loix civiles dans leur order naturel and Louis de Héricourt's Loix eccleésiastiques de France dans leur order naturel. Then I look at how scientists like Monroe, Roussel, Lignac, Venel, and Robert used discoveries regarding woman's physiology to create a medical discourse that justifies woman's inferiority so as to confine them into the domestic/private sphere. I examine how intellectuals such as Rousseau, Diderot, Montesquieu, Coyer and Laclos, reinforced women's domesticity. In chapter 3, I examine women's participation in the early stage of the Revolution and the overt attempt by some women to claim their place in the public sphere and to challenge and subvert the oppressive patriarchal discourse through their writings. Chapter 4 focuses on Olympe de Gouges's theater and a specific example of subversion of the patriarchal discourse: I compare the father figure in Diderot's La Religieuse and de Gouges's play Le Couvent, ou les Voeux forcés. Finally chapter 5 examines women's involvement in the French Revolution after 1794 and Constance de Salm's attack on patriarchy.