Liang, Yue. / "November 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / ACKNOWLEDGMENTS --- p.i / INTRODUCTION --- p.1 / Chapter Chapter One: --- "The Appearance of the ""Robust Beauty Girl"" in the late 1920s" --- p.9 / "The Infatuation with the ""Western Beauty""" --- p.10 / "The Western ""Robust Beauty Girl:"" Hollywood Film Stars" --- p.13 / "The Chinese ""Robust Beauty Girl:"" Female Students" --- p.19 / Chapter Chapter Two: --- "The Reconstruction of the western ""Robust Beauty"" in the 1930s-40s" --- p.27 / "The Suspicion on the Western ""Robust Beauty""" --- p.29 / "The Reconstruction of the western ""Robust Beauty"": critique on the ""Modern Girl""" --- p.37 / "The Kuomintang's Response to the western ""Robust Beauty""" --- p.52 / Chapter Chapter Three: --- The Construction of the Chinese Womanhood in the War Period --- p.70 / The Communist Womanhood in the Jiangxi Period --- p.72 / The Women's Steering Committee and the Wartime Womanhood --- p.80 / The New Outlook of the Communist Womanhood in the Yan'an Period --- p.91 / Chapter Chapter Four: --- "The National Communist Womanhood: the ""Iron Maiden"" in the 1960s-70s" --- p.107 / "National Model: Two Categories of the ""Iron Maiden""" --- p.109 / From Person to the Nation: Organization Form and Political Consciousness --- p.114 / CONCLUSION --- p.126 / APPENDIX --- p.132 / BIBLIOGRAPHY --- p.139

In the Maoist era, the quest for beauty was regarded as decadent Western bourgeois culture. However, more and more Chinese women have been shopping for a youthful and beautiful appearance by undergoing cosmetic surgery in recent decades. Based on ethnographic fieldwork conducted in Beijing, China, in 2006--2007, this study examines the phenomenon of the rapidly growing popularity of cosmetic surgery among Chinese women and considers the relationships between the remaking of female body image through cosmetic surgery, the reconstruction of self identity, and the reconfiguration of state power and market forces with the expansion of global consumerism in post-Mao China. The thesis suggests that the alteration of female body features through cosmetic surgery reflects in microcosm the transition of China from a Maoist socialist regime to a post-Maoist consumer society within a few decades, following its own "Chinese characteristics." Therefore, Chinese women's involvement in cosmetic surgery must be understood within the broader historical and socio-political context of China, and also must be seen both as the empowerment of Chinese women and also their ongoing subjugation to men, markets, and the state. / Wen, Hua. / Adviser: Gordon Matthews. / Source: Dissertation Abstracts International, Volume: 72-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 392-421). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract and glossary also in Chinese.